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Actor Jeremy (Rich Holton) has a film shoot in New York City and needs
a place to stay on the quick - and fortunately his brother Brian (Peter
Mastne) lives there and agrees to house him. Now the two siblings have
become estranged over the years, so this seems to be a great opportunity
for a catch-up/patch-up ... well, at least Jeremy seems to think so, but
Brian is quick to squash all such aspirations when he asks Jeremy to pay
rent - something which Jeremy eventually and begrudgingly agrees to, also
because as an actor he doesn't make all that much money. However, as a
landlord Brian clearly sucks, because he complains about everything,
including the noises his own couch makes when somebody sits down on it. So
the brothers' time together is a little complicated as it is. Thing is,
there's more to the story than meets the eye, and this "more"
isn't exactly comfortable ... One can't help but love the
concept of this movie: It starts out as a sort-of-comedy that really plays
one awkward situation to the hilt, and then pulls back layer upon layer
until we end up with something really dark. But a good concept isn't worth
anything without good writing - which Enter the Room boasts in
spades though, it'Äs full of witty dialogue, makes the best of its
limited locations, and presents us with a couple of well fleshed out
characters. And of course strong acting and a suitably subtle yet on-point
directorial effort sure help to make this a very worthwhile if pretty
macabre short.
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