Your new movie Ivy -
in a few words, what's it about?
The
short synopsis we released was "Ivy
is
a short psychological horror-thriller about a man’s struggle to come to
grips with his deteriorating mental state stemming from losing the love of
his life." It has all the elements of a psychological
horror-thriller, but it is largely about loss.
What were your sources of inspiration when writing Ivy?
And since this is a movie about heartbreak, is any of the film in whatever
way autobiographical?
The film was inspired by a time in my life, following a tough breakup.
Thing is, I wrote the script long after I got over said breakup and did
not realise that the inspiration for the film came from there until I saw
the first rough cut and it dawned on me. It's one of those things about
expression and art that I truly love. Sometimes we don't realise how
therapeutic and cathartic artistic expression can be. As far as I know, Ivy
is going to be part of your feature film Revelation - so how does
its story fit into the broader scheme of things of the feature, and what's
the status on Revelation to begin with?
Ivy
introduces us into the world of Revelation.
It is the opening segment (out of four) that sets the scene for what is
still to come and the world it all happens in.
The
status is that Revelation is
currently on hold until the world resets post-Covid. At the moment, due to
the uncertainty of restarting production and the possibility of it being
halted at any time, the risk of putting a sizable investment into a
project is just too significant. It caused investors to pull out once
Covid hit, and now it is simply too difficult to raise those funds again.
Another obstacle is that the first half of the film was shot in Israel and
I'd like to continue shooting it there, but as I am living in relatively
Covid-free Australia, flying to Israel is a difficult task and an
unnecessary risk right now. Also considering the recent outbreak of the
ongoing war between Israel and Hamas, another risk of production shutting
down has been introduced. I considered moving the production to Australia,
but it would require a considerably larger budget to shoot it here.
What can
you tell us about Ivy's
approach to horror?
Being a psychological horror-thriller, it is fairly clear that this is not
a film that relies on gore, nudity or jump scares. I did my best to stay
away from such gimmicks and bring something original to the table. The
film also has elements of mystery and drama that are essential for such a
story to work on the viewer. I wrote it to take the viewer on a journey
and I hope I did that. The short is subtext-heavy and I included several
hints along the way, which are there in plain sight, yet can be missed if
you're not paying attention. I wanted the viewers to use some analytical
skills and actually think when watching the short, rather than just be
entertained, but I hope the film does both. There are elements in Ivy
that
very few people noticed, so perhaps I was overly obscure. Lol. In any way,
the approach in general was to bring some originality and quality to a
field which, I feel these days, may lack in both.
With Ivy
being entirely set in one apartment, what were your techniques to keep
things visually interesting? Ivy
being
set in one apartment was a necessity here. I wanted the viewer to feel
the sense of claustrophobia around the main character, Rick,
even though he never wants to leave the apartment. To keep things varied
and interesting, I included scenes that are presented as dreams or
flashbacks and, while shot in that same apartment, have an "other
worldly" feel to them. I also used almost every room available to
shoot different scenes in, as well as another scene shot just outside of
the apartment to keep the film from constantly having that "one
location" feel.
A few words about your
overall directorial approach to your story at hand? As discussed above, my directorial approach is to tell an
interesting, original story. I feel that, these days, in Hollywood and
indie alike, most stories are regurgitated, and that there is more
concern with production value and "gear". While production
value is important, I feel it should ALWAYS be secondary to the story.
Unfortunately, most of those making films these days, as well as a
sizable chunk of the audience, feel otherwise. I hope that with more
quality stories getting out there, we might eventually turn that tide. Do
talk about your cast, and why exactly these people?
To fill out the cast, I had to look for English speaking actors in
Israel who speak the language without an Israeli accent. I was happy
with any English-speaking accent, be it American, Canadian, British,
Australian, etc. Ivy
possesses a small cast of five very talented
actors: Dan
Shaked as Rick, Gita
Amely as Ivy, Tzachi
"Zach" Cohen as "Man
in Suit", Einav
Markel as "Dark
Haired Woman", and Debbie
Levin as "Jo".
I had the pleasure of previously working with Zach on
my comedy webseries and soon to be released feature film The
Bruised Spring's Teens. I immediately knew I wanted to work with him
again and had him in mind for the role of "Man
in Suit" as I was writing the script.
Dan Shaked and
I were in touch via social media for a while and always looked for a
project to collaborate on. After writing Ivy,
I contacted Dan,
who lives in the US but visits family in Israel on a yearly basis, to
see when his next visit was scheduled for, and it so happened that the
timing was perfect.
I did not know Einav previous
to this project. She was recommended through common friends and
acquaintances and fit her role perfectly.
Debbie is
an old friend who I met a few years back while helping out on a film school classmate's project she starred in. I knew she was fluent in
English, but originally had scheduling issues and I considered going a
different way with the role. Luckily, her schedule cleared up and she
was free to join the production. I actually re-wrote the scene for her
and Dan closely
before shooting to better fit them as actors, and it ended up enhancing
the film in my opinion.
The role of Ivy was
tougher to cast. After going through a number of options that didn't pan
out, Gita was
recommended by a friend and colleague and I got in touch with her. I was
familiar with her work on a couple of Israeli films she did earlier and
was intrigued by her look and presence. I knew she would be perfect for
the role after I had one conversation with her.
The actors, as did the crew involved, did a fantastic job on this
project. I could not be happier with the way the film turned out, and
much of the credit belongs with these talented individuals. What
can you tell us about the shoot as such, and the on-set atmosphere?
The three-day shoot was surprisingly relaxed and fun, considering the
pressure involved. We somehow managed to keep things light and to stick
to the schedule. As always, there were probably a few issues and delays,
yet we dealt with whatever challenge arose, so much that I can't recall
any. I just remember people working hard to help get this project made,
and some fun was had in the process. Considering both Zach and Debbie come
from comedy, there was time found for mucking around and having some
laughs. The
$64-question of course, where can Ivy
be seen? Ivy
can
currently be streamed exclusively on AngerMan
Distribution's Vimeo on Demand channel. Anything you can tell us about audience and
critical reception of Ivy? The short was officially selected to approximately 35 festivals and
won 12 awards, in a fairly limited festival release, so we are pretty
happy with that. Reviews as well as audience feedback have been
fantastic as well. Ivy
is,
by far, my most successful short at this time.
Any
future preojects you'd like to share?
As mentioned above, Ivy
is
part of an upcoming feature film, Revelation,
which is now halted half way through production. I hope to have news
regarding its completion in the near future. The feature film version of
the wacky comedy The
Bruised Spring's Teens should have a release date soon, so stay
tuned.
We recently released a couple of our shorts, Third Temple
and Dolphin,
as a double-feature on VOD, also available via AngerMan
Distribution.
I am also currently working on several projects which are in development
and I can't talk about as yet, but hopefully some announcements
regarding those will come before the end of the year.
Your/your movie's website, social media, whatever
else?
MyIndie Productions website:
https://myindieproductions.com/
MyIndie Productions page on Facebook:
https://www.facebook.com/MyIndieProductions
MyIndie Productions group on Facebook:
https://www.facebook.com/groups/362293570848450
MyIndie Productions on Twitter:
https://twitter.com/MyIndieProd
MyIndie store: http://myindiestore.com/
MyIndie Productions on BuyMeACoffe.com:
https://www.buymeacoffee.com/myindieproductions
Stream Ivy on AngerMan Distribution
VOD:
https://vimeo.com/ondemand/ivy
Stream Dolphin and
Third Temple double
feature on AngerMan Distribution VOD:
https://vimeo.com/ondemand/284304
Ivy on
MyIndie website (with full list of festivals and awards):
https://myindieproductions.com/ivy/
Ivy on IMDb:
https://www.imdb.com/title/tt6609322/
Itai Guberman on Facebook:
https://www.facebook.com/itai.guberman.9/
Itai Guberman IMDb:
https://www.imdb.com/name/nm2760127/
Itai Guberman on
MyIndie website:
https://myindieproductions.com/artists/itai-guberman/
Anything else you're dying to mention and I have
merely forgotten to ask?
Anything we haven't covered, we can leave for future interviews.
Lol.
Just wanted to thank you for your time and attention and the support
of MyIndie,
as well as indies in general. Much appreciated!
#SupportIndieArtists #SupportIndieFilm
Thanks for the interview!
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