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Tatsu no ko Taro

Taro the Dragon Boy

Japan 1979
produced by
Toei
directed by Kiriro Urayama
screenplay by Takashi Mitsui, Kiriro Urayama, based on the novel by Miyoko Matsutani, music by Riichiro Manabe

anime

review by
Mike Haberfelner

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After the disappearance of his mother, young Taro has grown up at his grandmother's in a poor little village in the mountains ... and he has become a slob who hardly ever helps his granny, instead spends most of his time out in the woods to play with his friends, the animals. One day, a magician stops by and gives him the stength of 100 men ... but he can use this strength only to help others, not for his own sake - and soon enough, he needs all the strength he has got, when a demon kidnaps his girlfriend Aya ... and when he frees her he does the first selfless thing in his life - and soon learns of a flatland behind the mountains, where there would be enough food for his village and lots of other mountain villages ... plus this is where he suspects his mother to be, who one day before his birth was turned into a dragon.

On the quest for his mother, Taro has to first encounter many setbacks though, including an old woman who wants to sell him a seaserpent as his mother, but he also finds enough rice to carry to the mountain villages and feed them all for a while.

Eventually, he meets the mysterious mountain lady, who tries to seduce him, but he can somehow trick her into telling him where her mother the dragon might be ... on the bottom of a nearby lake, where she has spent her days completely blind. And all because, when she was pregnant with him, she broke the first commandment of the mountains: To share one's food with others.

When he sees his mother's lake though, Taro also sees a possibility to give a new home and plenty of (flat) space to all the mountain folks: If only they could tear down the boulders that block the lake from flowing on into the next valley ... and Taro's mother, impressed by her son's selflessness, agrees to be a living piledriver - even if that might cost her her life. And indeed, mum can tear down the boulders and this way turn the lake into a fertile valley, but once that is done, the dragon breaks down, and dissolves - but out comes: Mum, in human form. Her selfless deed has turned her back to normal, and all's well that ends well.

 

As you might have guessed from my synopsis, the story of this anime is rather cheesy, However the moody and somewhat ethereal designs of the films are rather impressive and a far cry from the Disney kitsch we Westerners have come to associate with this kind of story. Interesting, to say teh least.

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Vimeo

 

 

 

Robots and rats,
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love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
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screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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