Your new movie Tracking
Issues - in a few words, what is it about?
Before
we start, I just want to say thank you Mike for all your kind words about
the film! It means the world to me to know that the film is being received
in such a positive manner, as it is by far my most personal documentary
thus far. I’m sincerely happy you enjoyed it!
So
about the film - It’s an extremely personal documentary, shot in almost
a video diary form (entirely on disposable cameras), that revolves around
how my childhood best friends and I used to make horror and comedy films
in our backyards. However, as hilarious and silly as the documentary gets
at times, it gradually dives deeper into the idea of how we were
constantly rolling the camera on our lives (it was shot over the course of
more than 26 or so years) during both the ups and downs of life - and
eventually becomes a very intimate portrait of us all. Not to mention - of
my father’s life.
(I
apologize is that was “too many words”!)
What inspired you to make a movie about your early
days as a filmmaker?
In respect to you and this
interview, I’m going to get completely honest - especially how the film
is so revealing and personal. So let's have at it! - Two years back, I
sincerely considered quitting filmmaking for good. I even penned a rather,
how shall you say, “brutally honest” piece about my lifetime of severe
depression, intense struggles with addiction, loss of inspiration, bad
relationships and thoughts of giving up entirely. This was for Filmmaker
Magazine and was received with much horrible backlash. Guess it
wasn’t really a good fit for the publication - I don’t hold any bad
feelings and understand how it could have come off unsettling, but it was
pure truth and sometimes that can be unsettling - though I stand by it to
this day! I had lost my drive after a lifetime of making movies &
video diaries. 46 states in less than 7 years making no budget films - the
struggle was becoming intense (more films than I can even keep track of at
this point). I felt like the passion had run its course and I should just
give it all up. The interesting thing is I never made films for money, nor
have any of my films generated much money, but the process, well, it is
something I NEED to do. I don’t care how cliché that sounds. I
sometimes wonder if I’m constantly documenting life in the case I lose
my memory of something and will always have something to see in order to
remember. Who knows. It’s just my obsession - and has been since I was
four or so. So when they seemed to vanish, it was frightening to put it
lightly.
I
decided to leave New York City in the spring of 2015 and visit my family
and friends in my hometown - a small coastal New England town and rethink
everything in my life. On the train, I began thinking about how I got to
where I was. I was simply
a drunk on the Amtrak, who only, years before, was running around the
country in pure insanity, glee and inspiration making films, music videos,
experimental films, music, you name it. What had happened to my drive?
I watched out the window in a
whiskey haze as the landscape passed by and remembered how fun and
wonderful it was to make films with my friends, how passionate we were and
realized I still had all the footage in my old bedroom closet. I took some
time to figure everything out, reconnect with my oldest friends, see what
they've been up to since we all parted ways, and just become happily
nostalgic for a bit. Little did I know, it would turn into a full length
project that became a super intense production - but in the best possible
way. I often think that if someone was ever to make my life story (not
that it would ever happen - but just “if”) it could just be a
narrative of Tracking
Issues. It’s as real as I could get and
almost too revealing. I know that my dear mother still hasn’t watched
it, but knows all about it and is so proud of it, but just understands how
personal it gets and sometimes those memories as beautiful as they are,
can be painful to some. Especially regarding my father's struggle. You
just have to be respectful. She was my partner in crime in the
making of this - and was the first to push me to start documenting
everything. Like My Dying Day, which we’ll talk about in a second
- Tracking
Issues was a wonderful bonding moment between my mom and
I. We’re best friends. She's incredibly proud that the film was
made.
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Do talk about your directorial approach to your subject at
hand?
Well,
I am rather neurotic and at times shy, so I usually go about my documentaries in a fly-on-the-wall manner, however this was with my
family
and closest friends. I never wanted to direct them - just let the camera
roll. I only shot with flip cams and other small cameras, so sometimes
they didn’t even realize I was filming. When they saw the final film,
they got a kick out of it. But then again, they always knew I always had a
camera rolling.
In
making my documentaries, I just like to collect as much footage as
possible and then try to make sense of it in post production. I very much
can find heart and soul in sequences, pieced together in a certain way,
without inventing lies. The film was basically me with a flip cam, hanging
with friends - reminding them of stories, getting them to share their
memories and filming our old films off the TV - basically, my normal
everyday life! Remember, they probably know me better than I know myself,
so it was pretty much “Let Courtney be Courtney and he’ll be happy and
we can go home and finally get some sleep.” I have such wonderful family
and friends. My immediate family, my mother and brother have been the
ultimate strength in my life and basically the only critics I care to even
listen too. I am blessed beyond belief. I do want to say that one of my
other closest friends and amazing artist John Haverty was a HUGE part of
those early films too - my frequent collaborator. But he wasn’t in town
during the time I was recording, but he is a very big part of my films and
those films. It would hurt me to not mention him - cause John is such a
large part of these early works. We made dozens of films together, but
unlike Andrew and Mike, I couldn't get him in front of the camera to talk
about the work due to long distance. He's now a super super incredible
surrealistic painter whom we are all inspired by and proud of!
As Tracking
Issues shows, you have been a filmmaker since a very early age -
so can you still remember what made you want to make movies in the first
place, and when you were still making your backyard movies, did it ever
occur to you you'd actually stick to filmmaking for quite many years to
come?
Actually
I can’t remember any moment like that. My grandfather used to educate me
on early Universal Horror films, Cary Grant movies and the
Bowery
Boys. I
knew about Jimmy Stewart, Clark Gable, Brando, Crawford and Huntz Hall
before I entered the third grade. I knew who Fredric March was before I knew who Nolan Ryan was in the second grade! He (my
grandfather) grew up in that generation and seeing I was always
interested in movies, he was essentially my first film school. No lie, by
the time I was in fourth grade, I could recite most of Leonard Malton’s
94’ Movie Guide. I loved Vincent Price [Vincent
Price bio - click here] - still do. My hero. I remember a
very interesting moment where, I think it was around second grade, I was
at my older brother's soccer game and I saw a man, presumably a dad with a
big mullet, pink tank top and a big wonky videocamera. I remember
thinking, “all I need is one of those and I can film anything and make
movies!”. This may all sound like bullshit, but I assure you that was my
earliest memory. Andrew and I began making our movies in his basement by
the end of 3rd grade. His father was our cinematographer. We tried to make
a sci-fi film that took place in Antarctica in his basement but his dog
kept walking past the camera. A big poodle named "Rosie". We
went into hiatus after that - until Mike and I launched our production
company Selbo Films in the summer of 95’. Then we were in the big
leagues! Ha!
Sure
- I always knew I would be making films, videos, diaries - whatever. Was I
sure I could make a living off of it? Sure - but I was young and naive! It
didn’t matter. I was wrong most of the time! That said, you could put me
in a desolate landscape with no one, no material, just some food and
alcohol and a camera, and I would be as happy as a pig in the mud. Believe
me, it's happened before. I am never happier than while I am editing my
footage. It’s honestly in my blood. It’s weird growing up though (32
now). Around 21, I began getting nervous that I would forever be that guy
whose constantly struggling and becoming a delusional daydreamer and now,
I am happier than ever being just those things. I don't fuckin' beg or
crowdsource. I just make my films. No matter what. The day you don't see a
new film by me, is the day I probably died. I have a camera and my life is
constantly insane - so why not just roll? When it comes down to scripted
projects, I obviously have to reign it in a bit. Either way - as long as I
have a camera and a way to edit, I require NOTHING else in life.
What were your sources of inspiration back in the
day?
Horror
films from mom and pop video stores - especially Show Video, my
local store, which is where I got my production company from. I was too
young to rent most videos from the horror section so I would just stare at
the box art and imagine the film. Usually my imagination was better than
the actual film when I finally got around to seeing it! Even when I was
homeless and living in Washington Square Park in the summer of 04’, I
would go to Kim’s Video on St. Marks (now unfortunately gone) and
without money or a home, just spend hours looking at the box art, taking
it all in, and really letting my imagination run wild. I should be clear
though, I was already well educated on obscure, foreign and rare cinema -
but some films were so rare that Kim’s was the only place I could find
them! After reading about them so much. But with no home, means no DVD or
VHS player - so I could just hold the box and dream!
Regarding
filmmakers though, The Kuchars, Jack Smith, Brakhage, William Castle,
Frank Capra, Herzog whom I believe to be a magical being sent from another
planet to basically teach us everything about humanity, courage and
creativity, Bergman and Soavi who made Dellamorte Dellamore, my
favorite “horror” film of all time. I once met Harmony Korine in
Kim’s during those days and he gave me a copy of Lovers on the
Bridge by Leos Carax and that quickly became a favorite. I think he
used Jean Yves Escoffier from that film to shoot Gummo - so that’s cool! As of now - inspirations: Giuseppe Andrews
is probably the greatest living filmmaker at the moment. My dear friend
Ondi Timoner, whom I believe to be the best documentary filmmaker and who
has taught me everything I know about making docs. Also, I’ve always
been obsessed with Sam Raimi, no matter what. That guy is just so insanely
inspiring to me.
Looking through your old material, how much of the director
you are nowadays can we already see in your films of old? And how would
you describe your evolution as a filmmaker?
Oh
man - I hate directing. Seriously. Hate it! I have to do it though to make
films in order to be able to edit which is my love, so it's a vicious
circle. But no one is making the films I want to make, so I guess it's up
to me! (This is in no way saying no one is making good films, but simply
not the ones I imagine up in my own insane brain!)
Hell,
I guess I'll learn more about myself due to this whole debacle! Ha!
I
find it embarrassing. So with the early work, that was just us having fun
with Andrew and Mike - I would sound full of myself if I tried to make it
sound like anything of those early films was “directed”. Now, as far
as documentaries go, I just know to always be polite, respectful and
extremely patient. I am EXTREMELY sensitive with my subjects - which I
guess comes from documenting my father’s last days and everything else
in between. If there is an evolution, it is not cinematic but just that of
my soul.
Do talk about some of your collaborators from back in the
day for a bit, and did any of them pursue filmmaking as a career like you
did?
We
all wanted to make films growing up. We all had the passion, but I think
when the reality sinks in around the high school era - that everyone is
seeking out colleges, that girls don’t really seem interested in weirdos
making horror films in their backyards every weekend, that you are
constantly told you will struggle until the very end, it weeds out the
truly passionate and the ones who may see another light down another
tunnel. Both ways are completely fine. If I ever become a father, and my
child was passionate about an art, whatever medium and by the time they
reached their senior year in high school, got cold feet, I’d understand
entirely - I'd just let them know that no matter what, they should keep up
with their art - whatever medium that may be - always. Even if it simply
turns into a hobby. There is a lot of pressure on aspiring artists - I
still consider myself that - and most of it is unnecessary. Keep the flame
alive no matter what, don’t be afraid to go crazy, go outside the
comfort zone and always, no matter what, cherish and respect your friends
and family. Also, try your best to remember your favorite things of your
childhood! Smells, sounds, songs, places, images - anything! It's good to
get the brain and soul into a nostalgic sense to encourage inspiration. In
my darker days, I burnt many bridges and that is the only thing I regret
today. A lot of it can be misdirected anger and pure passion.
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Andrew
continues to be my Bruce Campbell - as we’ve always have a fun
friendship while making films that would have him doing stunts and me
making the situation all the more grueling for my own humor. We were so
inspired by Evil Dead of course. We get a kick out of it all now - looking
back at it. We never got into fights or arguments when we made these
things. Andrew is an amazing friend and human - one of the best people
I’ve ever had the pleasure of knowing and he’s always been by my side
no matter what. 31 years a friend. He’s even acted in a few of my recent
budgeted films including Don’t Let the Devil in. One day, we gotta
get that guy an agent! He owes me a couple bucks.
Mike
is a wonderful elementary school teacher now who hopefully will one day
teach his students the beautiful art of DIY horror filmmaking! The kids
adore him. They should! They have quite an amazing person teaching them!
They are very lucky!
You of course have to talk about My Dying Day, a
film that differs quite a bit from the genre fare you used to make back
when!
Yes!
I hope, sincerely and not for vanity reasons obviously, but that film will
continue to grow even after I am long gone. I mean, like LONG dead and
gone. It is a powerful and important message. My father asked me to
document his struggle with an aggressive form of prostate cancer during
his last months of life. Hesitant at first for obvious reasons, I was only
21or 22. I said no. Another filmmaker, some professor from Brown
University tried to do the portrait for NOVA I believe but it fell apart.
I decided to take it on after that much to my dismay. Hey guys - get your
PSA checked - like do it now! Early detection can and will save lives!
I
had recently wrapped my first documentary feature No Place Like Home
about the aftermath of Katrina in the Gulf and was still trying to work
the film out in post when my father initially asked me. Needless to say, I
already had enough emotions on my plate. We didn’t have a good
relationship back then, later in his life. We disagreed on politics,
religion and everything else basically. But my father was an amazing,
incredible, loving, funny and warm person and I am so glad I finally
agreed to make the film. During all those moments filming him choosing his
coffin, his burial spot, him saying prayers over others who have passed
away, believe it or not, but it was quite a bonding experience. it may
sound grim but it wasn't. When we would get in his car afterward, he'd say
a joke from The Simpsons or something to lighten the mood and he really
knew how to make someone smile and feel happy. I wish I could be talking
to him about Tracking
Issues
right now! Damn!
I
feel so proud about My Dying Day. My father saw a rough cut before
he passed away and loved it. It was 45 minutes at the time and called Heaven is my Last Resort. The last shot I filmed of him, as a
portrait, was a few nights before he died. Though I changed the date in
the description in the film to avoid anger from family who, at the time,
were really, as we all were, dealing with the situation in different ways-
though, he (dad) was so happy to do it. That is the most beautiful moment
of the film. He looks so calm and gorgeous and at peace - and he was! A
small smile on his face! After I filmed it, it was about 11:30 at night,
we hugged and he went back to bed. I knew then, he just gave me his heart
and soul. It was quite a moment.
That
was in June. I edited the 10 minute final version weeks after he died. It
needed to be more direct. I am so thrilled that his humor and love for
life comes through so much in it. Most people hear that the film is about
a man about to die from cancer and they think “Shit, not today! let’s
watch the Food Network instead!” - but it’s honestly a beautifully
warm portrait. My father’s beautiful and positive soul shines through.
I’ve sat with audiences during screenings of that film more times than I
can count on two hands and never has it ended with people in tears other
than me! Everyone seems so uplifted and happy to see that my father ended
his life in the most dignified and glorious manner possible - with his
family and in absolute happiness. All that said, I miss that guy! More and
more every day! I look and laugh like him now! Blessed!
Some other films of yours touched in Tracking
Issues you'd like to talk about?
Let’s
lighten it up. Here’s some fun trivia!
- Ralph
was shut down by the Mattapoisett Police Dept. as they considered the
film to be of “lewd” conduct and compared the production to be
like “public urination”. This was a film I made as a senior in
high school about a man who can’t stop vomiting in public.
- I
once met Bruce Campbell at a book signing and gave him a VHS copy of Ghost Car, a film I made in high school that is basically a
remake of Christine. I doubt he ever watched it. He made fun of my
Evil Dead shirt.
- I
once held a personal film festival as a freshman in high school at a
friend's house, in which we invited people over and I played my movies
on VHS. Eventually someone busted into the parents liquor cabinet, we
all got drunk and filmed yet another movie! It was taped over for a
hockey game by my brother but some scenes exist in a film called TV
Sucks and the Dogs are Mad.
Your film has been released on VHS only recently - so why
exactly this format? And of course, where can your movie be purchased
from?
Weird
Life Films! They are great! They are one of the best groups I’ve ever
worked with. They specialize in limited VHS releases for us VHS nerds and
I am beyond thrilled to be working with them. It should be mentioned that
each purchase comes a private screener link - so even if you don’t have
a VCR, you can still see the film! The VHS is great though - I am so proud
of it. Ryan from Weird Life and I both are HUGE fans of VHS, old video
stores, and saw eye to eye on this completely. He did the cover art and
I’m eternally grateful!
http://www.weirdlifeltr.com/tracking-issues
Any future projects you'd like to share?
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Feeling lucky? Want to search any of my partnershops yourself for more, better results? (commissions earned) |
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My
Satanic thriller Don’t Let the Devil in, which was shot deep in
the heart of Appalachia, comes out this summer! Stay tuned!
Currently
in pre-production on two other horror films. One is being filmed overseas,
so I am very excited!
Your/your movie's website, Facebook, whatever else? I
let my site expire, so I guess Instagram is where I am most active -
@courtneyfathomsell - come say hi! Anything else you're dying
to mention and I have merely forgotten to ask? You didn’t
forget to ask anything - but I just became an uncle for the first time to
a beautiful baby girl! Couldn’t be happier in this life right now! Mike,
thank you! Keep up the great work yourself! You’re doing such a good
job! Thanks! Thanks for the interview!
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