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Your upcoming movie Stoplight - in a few words, what is it
about?
A
woman desperate to distance herself from the violence and darkness in her
life believes she's finally breaking free when she joins a total stranger
on a cross-country road trip. But
her demons are also on the road - and they're catching up to her.
What were your inspirations when writing Stoplight
- and what was your collaboration like with your co-writer (and star) Eli
DeGeer?
The
first seeds of the story were planted by a strange incident that happened
to me, years ago, at an intersection late at night.
I let my imagination start conjuring "what if" scenarios
based on that. When I pitched
the concept to Eli, she added another layer that I liked.
Then I added another layer that she liked, and so on.
We built the plot from there.
Sometimes
you get enthusiastic about a story idea - but then after you sleep on it,
it isn't as exciting the next day. Stoplight however really struck a chord with me.
As I worked on other projects, my mind kept drifting back to this
idea. Weeks went by, and
instead of losing interest, I became more and more fascinated by the
cinematic possibilities - and I knew I had to make this film.
How would you describe Stoplight's
approach to horror (as in suspense vs sudden shocks, atmosphere vs all-out
gore and the like)? The quasi-supernatural horror
in Stoplight
is an undercurrent. It's not
on the surface, and it's handled in a Twilight Zone way,
rather than a monster/gore/slasher way.
This is a violent film, but the violence is there to propel the
story and provide a vicious edge, an atmosphere of ever-present danger -
not to dump buckets of gore onto the screen.
To be clear, I don't have problems with buckets of gore on screen -
but that's not the right emphasis for this movie.
Stoplight
will be heavy on suspense, and it will have an engaging visual style that
submerges the characters in a nightmare.
It's a road-trip film gone to hell.
Eli DeGeer |
Do talk about your intended look and
feel for a bit? As a jumping off point, I saw
this as if Terrence Malick made a dark, vicious thriller / horror movie.
I'm evolving the visual style from there.
I intend to create a very dream-like world where real-life violence
and horror is presented with an otherworldly twist. With Stoplight being, among other
things, a road movie - where do you see the challenges here?
The
challenges are not that different when I compare Stoplight to my other
films. It comes down to making
a bigger, better movie than what our small budget would usually result in.
Budget always represents the biggest challenge, whether we need an
abandoned amusement park for Deadwood Park, or
authentic looking Nazis for Ratline,
or the epic scope of a road-trip through the Midwest and Southwest of
America. We're figuring out
the cheapest and safest way to take this production across the country.
What
can you tell us about your projected cast, and why exactly these people?
We're
still casting for the film. We
are in talks with a few more people about adding them to the cast, but I
can't divulge names yet. Currently
cast is Eli DeGeer. I knew
from day one we'd be writing the movie around her as the lead.
She actually started her career as a production assistant on my
first movie, Savage Harvest two decades ago.
We've worked together off and on in a variety of ways over the
years. Most notably, she was a
lead in China
White Serpentine, and that working relationship was extremely
fruitful and enjoyable. It
showed me a glimpse of what I know she can pull off in Stoplight.
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Jason Christ |
Jason
Christ is in the movie because I've worked with him many times, and I know
what a reliable, talented, and dedicated actor he is.
He'll also be a major force behind the scenes of Stoplight.
I'm sure I'll be thrown many obstacles, unpleasant surprises, and
attacks on my sanity during the making of this movie.
And I'm sure I'll survive it all, and come out the other side with
a film I'm proud of. But
having Jason on the project means weathering these storms will be a lot
easier.
Adam
Ahlbrandt has been cast in a supporting role.
First, I was impressed with the fervent fan base that had been
whipped up around Adam, and I thought he was doing a lot of things right
in terms of promoting his movies, branding himself as a filmmaker, and
experimenting with distribution tactics.
Second, I saw Cross
Bearer and The Cemetery, both directed by Adam.
I was sent the screeners when I was writing for FEARnet because the
filmmakers were looking for some press on the movies.
I liked Cross Bearer, and I really
liked The Cemetery. It was
very well shot, jam-packed with brutality, and full of creative twists and
turns. So then I knew Adam was
talented. The buzz and
flourish around his movies wasn't just an empty box... there were actually
good movies within the promising, enticing packaging.
Then I saw an advance clip of The
Sadist, which Adam directed and acts in.
I said, "Hey, this guy can really act."
And suddenly it clicked. A
character in Stoplight,
one I thought was going to be tiny (so small he wouldn't even have any
dialog) had evolved into a substantial supporting role.
I realized Adam would be perfect for it, so I reached out to him.
I didn't even get a chance to finish pitching the
movie to Adam, or even formally ask him to play the part.
He essentially cut me off and said, "I'm in.
Wherever, whenever you need me, I'm there."
I appreciate that level of enthusiasm.
As
far as I know, Stoplight is still in its fundraising stages - so
what can you tell us about your fundraising efforts? We're mixing fundraising
methods we've used in the past, with new ventures, like our IndieGoGo
campaign. This is our first venture into crowdfunding - so I knew going in
it was going to be more of a learning experience than anything else.
Now that we're in the middle of a campaign, and I have my head
around it better, I think I'll enjoy doing it again in the future.
I knew it would be tricky and time consuming, but I didn't
anticipate the degree to which it would be. Now
I understand that months in advance, major money needs to be invested into
marketing the campaign, or the campaign needs to be the sole focus of the
entire production team for three to six months (kinda like, we'll produce
the IndieGoGo campaign, then produce the movie).
Or, someone needs to be hired to spearhead the campaign and
relentlessly carpet-bomb the world with press releases for months.
Or all of the above.
https://www.indiegogo.com/projects/stoplight--2
Once
your funds are raised, how do you plan to proceed - and any idea when and
where the film might be released onto the general public yet (and I know
it's probably waaay too early to ask)? Yes, it is too early to
speculate on a release date. I
always say, there's Cheap, Good, and Fast.
Pick two of 'em, because no product or service - ever - is all
three. We'll be bringing Stoplight in for about a
tenth of the budget another production company would likely spend - so
it'll be Cheap. I'm pouring my
guts into making a unique, artistic, well-written, attention-grabbing
movie, and making it look like a film produced for twenty times its actual
budget - so it'll be Good. Which
means it won't be Fast. We'll
be a small crew, in production and post-production.
Everyone will be wearing multiple hats - most of those hats will be
on me. Yet I'm going to fight
for every shot I think the movie needs, and I'm going to spend a lot of
time working with the footage in the edit, to craft the best possible
finished film. I can pull this
off, as I have many times before, but unless someone comes along with an
extra several hundred thousand dollars to speed up the process, I'll be
appreciating everyone's patience. Any future
projects beyond Stoplight?
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Yes, a few.
Some are smaller films than Stoplight,
but the one film most likely to happen next will have a substantially
bigger budget. These things
are always in flux, always changing, so I can't spill the specifics.
In six months, all of it may change. Your/your movies
website, Facebook, IndieGoGo, whatever else?
Support
Stoplight
here, through July 26th, 2014: https://www.indiegogo.com/projects/stoplight--2
Official website: http://ericstanze.com/
Bio: http://ericstanze.com/about/
Follow
me on Facebook: https://www.facebook.com/eric.stanze
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me on Twitter: https://twitter.com/eric_stanze
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Pixel Cinema Official Website: http://wickedpixel.com/
Stoplight
Blu-ray pre-sales: http://wickedpixel.com/films/stoplight/
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Pixel Cinema on Twitter: https://twitter.com/WPCnews
Thanks
for the interview!
My
pleasure, sir!
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