|
Your upcoming movie Reckoning - in a few words, what is it
about, and what can you tell us about your character in it?
The movie, in a few words, is about love, revenge, death, genitals. Ha.
Is that few enough?
My character, Eric, if he were to describe himself, would
say he's a man on the rise. He's with the 'in crowd.' And what happens
to him he would blame more on a victim of circumstance instead of his
own actions, or inaction. If I were to describe him. He's a low level
thug who's seen too many episodes of Sopranos with the inability to
accept responsibility for his actions.
What
will you draw upon to bring your character to life, and how much Joseph
Mistretta do you find in Eric, actually? The wardrobe is
mine. I dress pretty eclectically and I brought together some of the more
odd, clashing parts for this character. But clothes aside, I think had I
gone down a different path in life, made a few wrong turns, I, or anyone
really, could have easily ended up an Eric. So while I don't find a whole
parts of myself in him, there's little snippets that I'll exaggerate on.
Especially the fear. But I'll leave it at that. How did you get
involved with the project in the first place? That's is
surprisingly a loaded question so I'll try to keep it short. I'd been
doing SPFX makeup for over 15 years on various shoots and had met Reckoning's
director Travis Legge [Travis Legge interview
- click here] on a previous film we did together (not sure if I can say it here) called
What They Say. I used to do a little acting and wanted to transition to
the front side of the camera. I saw his casting call, remembered a story I
heard about Henry Rollins auditioning for a movie, and went for it. With Reckoning
still being in pre-production, what's your collaboration with director
Travis Legge [Travis Legge interview
- click here] like so far? Collaborating with
Travis has
been a lot of fun. He doesn't waste a lot of time derailing from topic.
The rest of us do that enough. He's very passionate about what he does and
I think that helps make everybody no matter what they do or how small the
part more passionate. I am looking forward to principle! Since you are first and foremost known as a
special makeup effects artist, will you at all work in this position on Reckoning
as well, and if so, what are we to expect regarding that aspect of the
movie?
Thanks for acknowledging that. I'm actually trying to separate the two
when I act. In the past I've done FX as the main role and filled in a
small acting bit on films but as I want to do larger, more involved
roles I find that the role dominates my energies and doing that and a
lot of FX to be too compromising. That being said, I am making a few
props as I love doing in house FX work. So I will have some of 4 Finger
FX Studios stuff in there (shameless plug moment). I'm more excited to
be working with another FX artist and see it purely from the actor's view
and not constant go-between.
So what's the schedule for Reckoning, and
how far into preparation are you as an actor? Here's a
funny admission. I've not really looked at the shooting schedule. Just the
days I'm needed. Blocked off my calendar and said, those days are booked.
I think the longest shoot day from what Travis mentioned in rehearsals is
only 12 or so hours. If the shoot day stays under 24 hours I'm fine with
that. The longest I've done is 48 before passing out. (Thanks Don! Good
times!) Any future
projects you'd like to share?
Yes! About 1.5 weeks after this wraps I'll be shooting a short film
called The Dule Tree in which I play a man accused of murder. I'd love
to say more but obligations and all. I can say I'll be working with IVP
Productions on this and am very very excited.
Also, I'm in final stages of editing a film that is being
submitted to a few film fests. We still have one more scene to shoot and
will be shooting that today (Sunday 5/15/16). It's called In
Memorium and has almost a mockumentary feel to it. Very excited about
that as well.
As mentioned, you're known
first and foremost as a special makeup effects artist - so do talk about
that aspect of your career for a bit, and about your training and such!
I think like a lot of SPFX MUA's we got our love from the 70's &
80's horror films. I got my start when I was about 14 just doing zombie
stuff with latex and cream make up. Learned quickly latex and hair don't
mix. I had to grow back half an eye brow. But after that I just
practiced a lot. I had some good friends who gave me a crap ton of make
up which helped a ton. I would just spend nights and days in my room
practicing different FX. Very solitary, no life stuff. But at that point
it was still just something cool. I was forming a band at that point and
that was everything. We were going to be huge (that failed). But when I
was in college I was still doing FX regularly and got more into writing
for the screen and a little less for music. At that point things in the
FX area took over. It felt like the natural progression at that point if
that makes any sense. Never any formal schooling for it. Just a
bunch of books from Monster Makers, videos online and practice,
practice, practice.
As far as my career in FX it's been a dream really. I've worked
with wonderful people all over the Midwest and East Coast. The indie film
arena is a breeding ground for ingenuity because so often I'd bring
almost my entire FX shop with me to a shoot out in the middle of nowhere
and all of a sudden the director would be like, and I've heard this
exact line, 'I need a severed head in an hour!' And I'm like, 'no.' But
we make something that works out of nothing basically and some of those
style results, the low budget, nickle and dime FX are still the most
realistic FX out there. If they're done right.
As I've been doing this for longer than I can count right
now, I've geared away from on set FX and stayed mainly in house.
Sculpting, mold making, fabrication, painting, etc. It's still crazy and
deadlines must be met but it's my crazy and I'm okay with that. I've
recently started a development and fabrication company that's an
offshoot of 4 Finger FX called jcm Development (www.fourfingereffects.wix.com/jcmdevelopment). Just to keep the gore
separate from the rest.
What
made you pick up acting eventually?
Acting was something I always wanted to do. There was just a part of me
that wasn't ready. Actors have to be open and have a sense of
vulnerability and a 20 something cocky, smart ass is neither of those.
But my friend Nick who does work in film out in LA kept nudging me to
do it. Finally it felt right. So I did. I'm still a cocky smart ass.
But now I have a softer side too.
What can you tell us
about your filmwork prior to Reckoning in whatever position? It's
scary out there. I've written TV pilots and screenplays, and developed a
7 season series. All of which are slowly simmering, waiting for the right
person to bring them to life (read into that need crap tons of money). But
you keep doing it and question it every day because it's what you do. But
you do it because you wouldn't want it any other way. As far as on set
work, at this moment of 11:48 a.m. I can't think of specifics. If I can
I'll get back to this. How
would you describe yourself as an actor, and some of your techniques to
bring your characters to life? Not quite method but not not
method. You have to put yourself in the character's shoes. You have to be
them. But you also have to create them. It's like sculpting a personality
and persona out of yourself. You can make changes in it. But once the
camera rolls, that's the mold cast for your character sculpt. If you
change things then the character changes. And it takes the audience out of
the suspended disbelief. Actors, special makeup
effects artists, whoever else who inspire you? So many that
long lists bore people. But I'll say this: I find my inspirations for
everything I do everywhere not just in the same field. I find 80's hair
metal very inspiring for both FX and acting. I think Matt Damon is a
terrifically talented actor. Good Will Hunting is probably my all time
favorite movie and being able to do a project with him would be life
altering. FX wise, oh man, the talent out there is so expansive. From the
greats to the unknowns take it all in and appreciate it all. Your
favourite movies? I can do this! In almost no specific
order: Good Will Hunting, True Romance, American History
X, The Matrix
(part 1), Star Wars (original 3), Lord of the Rings
trilogy, Harry Potter, Lucky Number Slevin, Casablanca, and I know the next two are
TV shows but I've seem
both series in entirety at least three times each. Buffy
the Vampire
Slayer and House. ... and of course, films you really
deplore?
 |
Feeling lucky?
Want to
search
any of my partnershops yourself
for more, better results?
(commissions earned) |
The links below
will take you
just there!!!
|
|
 |
Last Year
at Marienbad, Anaconda, I know there's
more but my mind is blocking them. Your website, Facebook, whatever else?
www.Fourfingereffects.com
www.fourfingereffects.wix.com/jcmdevelopment
IMDb:
http://www.imdb.com/name/nm2387579
Facebook:
https://www.facebook.com/pages/4-Finger-Fx-Studios/191200710917981
Anything
else you're dying to mention and I have merely forgotten to aks? Yes
but it's completely off topic. I've been involved with this kick ass band
that is brand new to the music scene. They are called Mafia Kill Shop and
their debut album Sounds Of Violence is only available on bandcamp at
http://www.mafiakillshop.bandcamp.com/ -
support them and the album digital download! Thanks
for the interview!
|
amazon.com
amazon.co.uk
amazon.de
eThaiCD.com
