Your new movie Sarah's
Dream - in a few words, what is it about?
is a short film about a troubled and rebellious
teenager who is haunted by the same recurring dream night after night. The
situation becomes desperate when the voice of her dead ex-boyfriend joins
the dream and won’t “let go”.
did the project come into being in the first place?
now this is an interesting question!!! Writer Wynn Reichert [Wynn
Reichert interview - click here] and I were on
a commercial set working as actors and we got a little bored in the
holding area. I had a screenplay I wanted to direct for this year’s
festival season, but it was going to cost too much money to get into
production soon enough. So, we laughingly came up with a simple horror
comedy concept that we could do for little to no money utilizing locations
we already had. (my house and the surrounding land) Wynn took the idea and
ran with it writing the screenplay in just a few days. Things got a little
complicated when I decided that it was a good idea to cut my thumb off
with my table saw the day after the commercial. But, the show must go on
of course, so we lined up the cast and got the project ready to shoot in
can you tell us about your collaboration with Sarah's
Dream's writer Wynn Reichert [Wynn
Reichert interview - click here]?
Wynn and I seem
to have a similar dark sense of humor. As actors we are often paired up on
set so I guess it only makes sense that we would work well together
producing film. We tend to play really well off of each other on set so
our scenes together seem to take on a life far outside the realm of the
original screenplay. I think this is the first time we did not have a
scene together come to think of it!
Do talk about Sarah's
Dream's approach to horror, and is that at all a genre you're
personally fond of, and why (not)?
I am a big fan of dark
comedy or horror comedy. I think adding humor to an otherwise dark subject
just ups the enjoyment of the story. Nothing like an uncomfortable laugh
at something you really know you should not find funny!!
At least for me, Sarah's
Dream also features quite a bit of irony - would you at all agree?
Well I certainly I glad you caught that. The only “straight”
character is Sarah (played by Bailey Ingersoll). The other characters are
a mess of awkward and over the top comedic stereotypes. It was a conscious choice to
portray the secondary characters comedic. It really
was written to be played either way. I think choosing to take it a bit
over the top adds a little charm to the film!!
can you tell us about your overall directorial approach to your story at
Every project is so different!! For this one it was about managing our
time and resources. With such a small cast and crew you have to wear
multiple hats. You have to trust the talented people you hired do their
jobs without having to micro manage too much. We did do a little
pre-production planning and had the shots pretty much lined up beforehand.
As for the cast, I feel like you hire the right person for the role and
trust the writing to speak through them. There are always those sweet
improvisational moments that seem to sing in the edit. If you let your
actors feel the role and allow them some breathing room you will get those
Because I was doing the edit on this I was able to really form the
story that I saw when I read the script. It can be tough doing multiple
jobs on set and in post but at the same time you are not stuck waiting on
someone else to find time to work on your project. I find the more jobs I
learn in post, the better. The more I can do the more I am able to ensure
the final look and sound of the film is what I really wanted.
You also appear in front of the camera in Sarah's
Dream as Sarah's mother - now what did you draw on to bring your
character to life, and how much Wendy Keeling can we find in her?
think I pulled from my very best “church lady” role to bring Claire to
life. She is a very judgmental and hateful mother. Loved playing her!!! To
be honest she is probably a little more of an “anti-Wendy” character.
At least I hope so!!!! You may notice that my character doesn’t use her
left hand much. That was because I had a huge bandage covering the
masterful series of stitches keeping my thumb intact. Hopefully it was not
talk about the rest of your cast, and why exactly these people?
Allison Shrum, Sam Brooks
and I played mother and daughter recently in the horror anthology 10/31 in
the short segment called Killing the Dance directed by John Holt. I
knew that I wanted to work with her and when this project came up she was
my first call. Of course, Wynn and I had to put in our cameos. The
addition of actors Sam Brooks and Allison Shrum was a welcome surprise. I
had never worked with either of them. It seems to be more difficult to
find 20 something actors with experience and the ability to roll with the
punches of comedic timing. They both had good reels and came highly
recommended by people I love working with so it was an easy choice. I was
not disappointed as this dynamic duo really added the cherry to the top of
our demented little story.
few words about the shoot as such, and the on-set atmosphere?
Oh lord!!! Due to the timing of the shoot (just before Christmas) and
the limited budget, it was tough getting the crew together. It ended up
being myself, DP Nolan Uebelhor, Thomas Benton Wolf doing multiple jobs,
and my poor husband running the generator for the night shoots. Thus the 4
Man Band reference.
Nolan came on with the recommendation of a fellow filmmaker. He and I
had not worked together before so it was us pretty much rolling with the
punches getting to know each other on set. Thomas and I have worked
together many times and I know he will always jump in head first. We had a
couple of brilliant ladies on makeup for this. Pamela Hawk and Elizabeth
Wolf pulled off some really stunning makeup effects for us!
As you probably know, with indie film there always seem to be
unforeseen challenges that arise during production. Unfortunately, we
experienced a last minute cancellation by our sound guy the day we had
dialogue to record. I have very little nice to say about this person as it
put a bit crunch on our production and cost us hours on set and in post!!
However, our little cast and crew were very supportive and flexible. Due
to their professionalism we managed to pull through the shoot to come up
with a gem of a short film.
I also have to send out huge thanks to our composer Landon Knoblock for
his amazing work with the music on this film. He truly got my twisted
sense of humor and brought it to the tone of the music. Joshua Suhy did a
great job with the sound design and foley creating the mood of things and
I owe many favors to the talented John Billings for working magic with the
$64 question of course, where can your movie be seen?
have that $64?? Just kidding. Well not really, we really need $$ for
festival submissions!! Seriously though, we are just starting to submit to
film festivals now. Our first screening is at one of my favorites, The Bare
Bones Independent Film Festival. This one is definitely a fest to attend
as a filmmaker or if you just want to meet a bunch of eccentric filmmaker
in their natural environment.
Wendy with DP Nolan Uebelhor
you can tell us about audience and critical reception of Sarah's
Well the limited amount of people that I
have showed the edit to have had some good things to say but we have not
screened to the public yet. I am hopeful that we will continue to be a
crowd pleaser on the festival circuit.
Any future projects you'd like to share?
I am in pre production for a feature that I will be directing this fall
called Medicine Show Blues written by the talented Jeffrey Howe.
There has also been some talk about creating an anthology feature from
some of our horror comedy shorts which would be very cool!! I am still
hoping to get the funding together for my short film Clown College
to produce that this year. In addition, I am always looking for
interesting roles as an actor. For some reason people seem to forget that
I am an actor first. I am very excited about my roles in the soon to be
released features Madhouse Mecca, where I work alongside movie legend
David Keith directed by Leonard Warner, and Yesterday, directed by
Willie Robbins where I play a stressed talent manager. Also, I am awaiting
the release of the horror feature Don’t Run directed by Ben Rood
where I play a quirky mom. There are a couple projects potentially coming
up but I am not able to announce them yet. I think that is a good start to
movie's website, Facebook, whatever else?
I need to plug our fundraiser a bit! We are still raising funds for
film festival submissions. No amount is too small to make a difference and
you will have your name added to the credits. Larger contributions will
receive producer credits in the film and on IMDb. Click this link to learn
Please also check us out on social media. Every LIKE/FOLLOW helps!
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you're dying to mention and I have merely forgotten to ask?
just want to thank everyone that had a hand in helping with this film!! It
is a huge compliment when people take time out of their lives to work on a
project that basically just pays them with food! It truly takes a
collaborative group to make films work and we really had that on this one.
I am very proud of what we were able to pull of on a zero dollar budget
and can’t wait for everyone to see it up on the big screen!
for the interview!
Thank you so much for the interview!! I
truly appreciate you supporting us struggling filmmakers trying to get our
work out to the masses! Big hugs and kisses in your general direction!!