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USA 2020
produced by
Parry Shen, Eddie Mui, James Rossi (executive) for Unidentified Productions
directed by Jason Richard Miller
starring Ed Ackerman, David Foy, Miles Dougal, Silvia Moore, Jess Allen, J. Stephen Brady, Phoebe Lamour, Alexandre Chen, Yanni Walker, Amy Tsang, Heather Palmer, Marland Burke, Chris Zerby, Patrick 'Wolfman' Cavanaugh, Kendra Cashmore
written and music by Jason Richard Miller, additional music by David Foy, special makeup effects by Russell FX

review by
Mike Haberfelner

At one of his first assignments, private detective Abel Walker (Ed Ackerman) had the good fortune to capture the suicide of his employer on camera - "good" fortune because the footage got him into the media and provided him with many cases since. Eventually, that got Walker thinking, why not have a camera guy following him, making a documentary about him - and enter Jim (David Foy), a cinematographer with a background in reality TV who's used to think on his feet. Their first assignment together is a missing persons case, one Bill Augustine (Miles Dougal) is looking for his ex wife Maria (Silvia Moore), whom he admits to hating with a passion, but all the same he doesn't want to see her dead. Despite not everything adding up, Walker is happy to take on the case as it promises excitement - and soon he and Jim bump into Maria's current lover Lee (Jess Allen) who almost treats them to a beating before giving them a clue. But instead of the woman they're supposed to find (Phoebe Lamour), they only find photographs in which she's tortured in a bloodied bath tub - and an address. Now Jim is for going to the authorities, but Walker sees the case as his big chance, and insists on doing it his way - and soon the two of them run into all kinds of trouble, including a trio of masked killers they only manage to just escape - but eventually they do find Maria. Only, the resolution of the story is not what you might think ...


To film a hard-boiled detective drama found footage style doesn't seem like the most obvious choice, but it actually makes sense in Bloodhound, basically because the first person approach is worked into the plot rather than tagged on to have an excuse for making the movie on the cheap, the film doesn't follow the rules of the found footage genre to rigourously and time and again goes for a cinematic approach, it's in a good way old-fashioned in creating suspense rather than substitute it with shaky handheld camerawork, and it's well-written and features fleshed out characters portrayed by a solid cast. So the outcome is actually a pretty exciting film that's well worth a look.


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD