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Glasskår
B.O.Y.: Bruises of Yesterday
Denmark 2024
produced by Pelle Folmer, Morten Holst, Per Holst for The Danish Film Institute Archive, FilmFyn, Danmarks Radio, PH3, 1606
directed by Søren Green
starring Noa Risbro Hjerrild, Jens Jørn Spottag, Alexander Mayah Larsen, Bodil Jørgensen, Jonathan Bergholdt Jørgensen, Iben Dorner, Paw Henriksen, Lea Baastrup Rønne, Silja Ellemann Kiehne, Christopher Læssø, Anders Cornelius Zoffmann, Jakob Engmann, Rasmus Grøn Jakobsen, Thomas Henry Begonja
'written by Tomas Lagermand Lundme, Søren Green, music by Buster Jensen, Jonas Holst Schmidt
review by Mike Haberfelner
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Rather
out of the blue, 16 year old Tobias (Moa Risbro Hjerrild) is sent
to spend the summer with his grandparents (Jens
Jørn Spottag, Bodil Jørgensen) in the country, his mother (Iben Dorner) claiming work reasons
for that sudden need for him to move. And even though Tobias loves
his grandparents, he feels uprooted and lonely. Then he meets Aron
(Alexander Mayah Larsen), a man in his twenties, and he feels attracted to
him - and the affection is clearly mutual. But then grandmother falls ill
and Tobias is sent on to stay with his estranged father (Paw Henriksen),
dad's new wife (Kea Baastrup Rønne) and Tobias' half-sister Freja (Silja
Ellenmann Kiehne) ... and it's only days before Tobias is fed up with that
arrangement and returns to his grandparents - to find his grandmother has
since passed away. Tobias is desperately looking for someone to hold on
to, but his grandfather's overcome by grief, Aron is unwilling to go the
extra mile with him, and when he learns the real reason his mother has
wanted him out of the way, this sends him on a downward spiral that
includes self harm and prostitution ...
Now B.O.Y.: Bruises of Yesterday is certainly not much
of a feelgood flick, it's filled with depressing and disturbing moments
and moves along slowly enough to really linger on them. This though makes
the film all the more compelling, as it remains close to its main
character at all times and makes his pain palpable, And thanks to a
fittingly no-frills directorial effort and a solid, relatable cast,
despite its dark themes this is a bilm that's a totally worthwhile watch.
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review © by Mike Haberfelner
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Robots and rats,
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