Joana Domingues, Tim Vieira (executive), Hugo Mendonça (executive) for Caracol Studios
directed by Bruno Gascon
starring Vítor Norte, Michalina Olszanska, Rita Blanco, Dmitry Bogomolov, Miguel Borges, Sara Sampaio, Ana Cristina de Oliveira, Duarte Grilo, Beatriz Pires, Tim Vieira, João Artur Santos, João Lopes, Gonçalo de Morais, Sérgio Novo, Ramón De Los Santos, Carlota Ladeiro, Fernando Paussão Lopes, Hugo Cesário, Luís Sustelo, Adriana Pais, Tatiana Dias, Maria Manuel Pinheiro, Kim Grygierzec, Margarida Calaveiras, Margarida Franco, Rui Porto Nunes, Rui Luís Brás
written by Bruno Gascon, music by Filipe Goulart, Milton Nuñez
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Portuguese truckdriver Antonio (Vítor Norte) isn't an evil man per se,
but still he has put himself and more importantly his truck in the service
of human traffickers - his motives are unknown, maybe it was just for the
fast money, but maybe he thought he actually could help people. Fact is
though, he's only a small wheel in a big white slavery operation. These
days though, he's plagued by guilt, but really can't quit as long as
Viktor (Dmitry Bogomolov) threatens to kill his wife (Rita Blanco) and
granddaughter (Beatriz Pires).
Viktor is a ruthless white slaver who
doesn't shy away from anything as long as the money's right, and he even
ruthlessly kills his associates when he feels they've wronged him - even
if these killings are mostly done to cover up his own mistakes, as while
he's ruthless and powerful, he's only half as infallible and smart as he
leads others on to be.
Alanna (Michalina Olszanka) is the only woman
safe from Viktor's outbursts of violence, or relatively safe at least, as
she's his sister. But even she fears him, although she's as ruthless as
him if not even more so, which makes her his perfect partner in crime.
Then though she finds out that Viktor knew all along that their father had
raped her when she was a mere child and had even taken photos of the act.
And now she wants revenge ...
Viktoriya (Michalina Olszanka again) is
one of Viktor's girls, but she manages to get away, even if that means
killing one of Viktor's men (Miguel Borges), who actually tried to help
her. Viktoriya drives away until the car breaks down, then runs until she
breaks down, right at the doorstep of Luisa and her granddaughter Mia, who
welcome her in. But they're also the wife and granddaughter of Antonio,
which all makes for an explosive finale ...
thriller that really manages to make its central topic, white slavery,
palpable without hammering its message home or favouring spectacle over
content. Instead it takes its time to develop a bunch of multi-layered
characters, most of them living in the grey area between good and evil and
driven there rather than there by choice. But at the same time the film
never forgets to drive its story forward, while an atmospheric directorial
effort, also mirrored in the somewhat elegiac musical score, really
manages to get one in the right mood.
True, this is not the most
uplifting of movies (which it hasn't set out to be), but well worth a look