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Dark Angel: The Ascent
USA/Romania 1994
produced by Vlad Paunescu, Oana Paunescu, Charles Band (executive), Debra Dion (executive) for Full Moon
directed by Linda Hassani
starring Angela Featherstone, Daniel Markel, Mike Genovese, Charlotte Stewart, Nicholas Worth, Michael C. Mahon, Milton James, Cristina Stoica, Ion Haiduc, Cornel Scripcaru, Cerasela Stan, Mihai Dinvale, Adrian Ciobanu, Valentin Popescu, Derek Jerome Jenova, Kehli O'Byrne, Victoria Cocias, Florin Ionescu, Stefan Velniciuc, Monica Ghiuta, Corina Danila, Wilhelmina Câta, Stelian Nistor, Patricia Popa, Frederic Hassani
written by Matthew Bright, music by Fuzzbee Morse, special makeup effects by Michael S. Deak/AlchemyFX
review by Mike Haberfelner
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Veronica (Angela Featherstone) is sick of life in hell, and is sick of
her father (Nicholas Worth), who's mostly into punishing those sent to
hell, so she escapes through an opening to the upper world, which she
expected to be the promised land ... but she soon finds that there is more
evil on earth than in hell, and to follow her calling as a fallen angel,
she punishes those who do wrong, tears them apart and often eats their
intestines or feeds them to her dog, and then sends them to hell. But
Veronica only does what's right in her understanding of things, she is not
a ruthless killer and thus spares those innocent enough, including the two
detectives (Mike Genovese, Michael C. Mahon) hot on her trail. And she
finds love in Max (Daniel Markel), a doctor who saved her life after a car
accident (at least in his understanding, she's in fact not that easy to
kill) and later took her in when he saw she was terribly unfit for the way
of the humans. To him, she even gives away her secret - even if he's not
very likely to believe it. But Veronica is on a big mission, too, to
overthrow the mayor (Milton James) of the city who's crookeder than
crooked - but while she so far was met with little resistance when going
again street thugs and the like, the mayor's warned and thus closely
guarded, and Veronica can take more than any human, but she's by no means
invincible ... Now I won't for one minute claim Dark Angel:
The Ascent is a masterpiece, far from it, it's a modestly budgeted
pulpy horror/fantasy hybrid based on a simplistic script and carried by a
rather functional directorial effort without and real highlights. But at
the same time, the film (as do many Full
Moon flicks from the era, actually) delivers exactly what you'd
expect from a direct-to-video genre movie from the early to mid 1990s:
It's somewhat comicbooky in approach, it makes a far-fetched premise work
somehow, it has its gruesome bits in all the right places and finds some
comedy in the proceedings as well, there are monsters and sexy bits, and
overall it's much more fun to watch than one would expect it to be!
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
Tales to Chill Your Bones to -
a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
tales that will give you a chill and maybe a chuckle,
all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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