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Dracula Exotica

USA 1980
produced by
Shaun Costello (as K. Schwartz), Zora Coast (executive)
directed by Shaun Costello (as Warren Evans)
starring Jamie Gillis, Samantha Fox, Vanessa del Rio, Eric Edwards, Mark Dexter (= Roger Caine), Gordon G.Duvall, Bobby Astyr, Murray Bukofski, Alba Bonn, Leigh Hope, Terry Yule, Carol Markoe, Inez de Falla, Denise Sloan, Diana Sloan, Herschel Savage (as Joel Kane), Donald Blank, Christine De Shaffer, Ron Jeremy, Tony Mansfield, Robin Sane, Marc Valentine, Randy West, Marlene Willoughby, Ron Hudd, Ashley Moore, Dave Ruby
written by Shaun Costello (as K. Schwartz), based on a character created by Bram Stoker, music by Allan Gerber


review by
Mike Haberfelner

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Centuries ago: A not yet vampirized Count Dracula (Jamie Gillis) falls in love with Surka (Samantha Fox - the American one, not the British page 3 girl), the gamekeeper's daughter - but his father would not permit the union, and so she is sent to a convent. This throws him off-balance to such a degree that he eventually rapes Surka publicly, at one of his parties. He only comes to understand what he has done the next day when he finds she has killed herself. As a consequence, he denounces God and curses himself to become a vampire.

Now: Castle Dracula in Romania has become a tourist attraction, but the Count is still around, and he has fed on virgin blood ever since he has become a vampire. So nowadays he's master of quite a stable of sexy, scantily-clad female vampires - even if all women, living or undead, other than Surka bore him. Eventually, he decides to leave Romania for the USA, and thus he kills of his harem using holy water to start 100% anew.

In the USA however, he is believed to be a communist spy, plus the ship he came over on was also used by drugrunner Vita Valdes (Vanessa del Rio) to smuggle drugs into the country - and as a result, he has to deal with her gang as well. But amidst all the confusion, Dracula becomes head of the Romanian cultural exchange organisation, and (in a turn of events) Vita his (vampirized) secretary. Then one of those he auditions though, Sally (Samantha Fox again) turns out to be the splitting image of his long-lost Surka, and the two fall in love. And suddenly everything else becomes secondary for Dracula, but he more and more comes to the conviction he mustn't let her to a life similar to his own, so he decides to return to Romania. Thing is of course, Sally is a secret service-agent, and her boss (Eric Edwards) is jealous that Dracula steals her away from him (even though she was assigned to his case).

In the end, everybody wants to kill Dracula, the secret service, the Russians, Vita Valdes, a klutzy cop (Mark Dexter), etc, but Sally has decided to give herself up to lift Dracula's curse, and the end sees the two of them flying away in the shape of doves while everyone else is left empty-handed.


There are some good things to say about this hardcore pornographic Dracula-flick: It's at times atmospheric, at times genuinely funny, the sex is rather well integrated into the proceedings, some thought was put into the script, and as a whole it's not half as moronic as most other plot-driven porn flicks.

Yet Dracula Exotica is not a particularly good porn movie: Basically it's because of the film's very disjointed nature, there is just two much content, too many subplots packed into its 100 minutes of running time, and thus the central plot, Dracula's centuries-spanning lovestory, gets lost somewhere in the thick of it. On top of that, the vampire story and the Cold War espionage undercurrents don't go together particularly well. And on top of that, Jamie Gillis, certainly one of the more talented porn actors, just fails to convince as Dracula by type.

Having said all that, you have most probably seen both worse porn flicks and worse Dracula-flicks - but that's not a good enough reason to watch this one still.


review © by Mike Haberfelner


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Robots and rats,
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love and death and everything in between,
Tales to Chill
Your Bones to

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Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
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Tales to Chill
Your Bones to

the new anthology by
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