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Because her husband Victor (Patelis Agelopou) had her raped by his
personal assistant Ilona (Nadia Neri) and his junior partner Robert
(Gordon Mitchell), Emanuelle (Laura Gemser) wants revenge ... and soon
enough hires hitman Mario (Haris Tryfonas) to tamper with the controls of
Victor's private plane - and boom, Victor is history. Then
Emanuelle wants to take her dead husband's company out of the hands of
Ilona and Robert, while at the same time she tries to become friends with
her ward Livia (Livia Russo), Victor's daughter, who will inherit
everything once she is 21.
Robert and Ilona though do not want to give up the company, and they
soon start looking for evidence that Victor's death was no accident ...
and soon enough stumble over hitman Mario - who repeatedly rapes Ilona
just for the fun of it.
Emanuelle meanwhile finds a new lover, Tommy (Gabriele Tinti), who also
promises to help her with business, while even young Livia finds a lover,
Mike (Vagelis Vartan), and the four of them become something resembling a happy
family. Then one day though Livia crosses Mario's path, and just for
the fun of it, he rapes her.
Upon learning that, Emanuelle makes an appointment with Mario - but
while she's out, Robert and Ilona present the happy family with the
evidence they have gathered against Emanuelle.
Emanuelle meets Mario in an ancient amphitheatre and shoots him dead,
just before the police arrives to arrest her.
Storywise, this film resembles most closely a soap opera, but with
quite a number of rapes thrown in, besides other scenes of sex and nudity.
The outcome, despite Laura Gemser, who is terribly miscast as the ruthless
business woman, is a rather uninteresting piece of sleaze that has nothing
that hasn't been shown better, more explicit, sleazier elsewhere, and the
muddled screenplay doesn't help to make the film any better either.