- X 2019
Rik Hall, Pauline Burt (executive), Pippa Cross (executive), Linda James (executive), Bryn Roberts (executive) for Monster Films, Arts Council of Wales
directed by David Howard
starring Faye Dunaway, Hugh O'Conor, Mark Benton, Terence Rigby, Julia Foster, Liz Smith, Michelle Ryan, Hayley Angel Wardle, Ricci Harnett, Dominic Doughty, David Morris, Geoffrey Hughes, Anna Karen, Katherine Judkins, Kerrie Hayes, Brian Hibbard, Gary Shepheard, Boyd Clack, John Woodvine, Margaret John, Duane Henry, Sara Harris Davies, Mossie Smith, Kim McGarrity, Richard Hawley, Rhys Parry Jones, Bill Smith, Kirsten Jones, Esme Coles
written by David Howard, special effects by Mike Burrett/Hybrid Enterprises, visual effects by Mike Burrett, Gary Bush
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1960: Johnny (Hugh O'Conor) is a really good dancer, but he also
stutters and everybody thinks he's a freak - and when fighting over young
Sal (Hayley Angel Wardle) with Creeper (Ricci Harnett), he massacres
several teens on the dancefloor before making a getaway with her - but
losing control over his car and sinking it into a river. She can save
herself, but he is left on the river's ground for the next 50 or so years.
For some reason, Johnny's car has finally been retrieved from the river
with his dead body still onthe wheel,
but when he hears rockabilly, the music from his youth, Johnny comes back
to life and ... returns home to his (now borderline mad) mother (Liz
Smith), who apparently hasn't moved in the last 50 years and isn't
surprised in the least that it has taken his son quite a while to return
home from the last dance he was at. Soon though, Johnny starts killing
people, all members of Creeper's gang who have been mean to him 50 years
When the local police is baffled by the many murders, Memphis cop
McKenzie (Faye Dunaway) is called in to help with the investigations,
basically because Johnny only murders to rockabilly music and Memphis is
after all the town of Elvis Presley. Even though everything would suggest
that the murders have to do with Johnny, McKenzie and her partner (Mark
Benton) take about forever to pay a visit to his mother - and when they do,
Johnny turns up and stabs both cops. McKenzie survives but her partner
Johnny now goes after Creeper (now played by Terence Rigby), his
main nemesis from back in the day, and kills him, then kidnaps Sally
(now played by Julia Foster), now Creeper's wife (or rather widow) - but
in an underwhelming finale, he is crushed by a falling container at the
The good news first: This film is pretty stylish without
putting style over content, the comicbook interludes that interrupt the
action every now and again
do make sense and are pretty cute, and Faye Dunaway, who seems to get
better the older she gets, gives a fine eccentric performance.
said, the film is decidedly less than perfect, its story is as simplistic
as it is badly conceived and full of plotholes (Like how come Sal, who was
a teenager 50 years ago, has a 19 year old daughter [Michelle Ryan]? - Do
the maths, it's not impossible but highly improbable. - Or why has Sal
married Creeper, whom she has never liked in the first place [the
1960-segment]? Or how come that McKenzie on one hand believes pretty soon
in the picture that Johny is behind all of the killings yet thinks his
mother id crazy when she claims Johnny is still alive? Or what about the
whole pirate radio subplot and the fact that Johnny needs music to kill?
And so on, and so forth ...). Plus, does Faye Dunaway's character really
have to tell a cheesy Elvis-story? I mean we get the point, she's from
Memphis, no need to rub it in. And why is it necessary she's one-armed?
And why couldn't anyone think of a better ending? I mean, a supernatural
villain crushed by a container, that's lame.
To sum it up, this is not a
film you will totally hate, it has its moments, but it's not very good