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Der Hund von Blackwood Castle
The Hound of Blackwood Castle
The Monster of Blackwood Castle / The Horror of Blackwood Castle
West Germany 1968
produced by Horst Wendlandt, Erwin Gitt (executive) for Rialto
directed by Alfred Vohrer
starring Heinz Drache, Karin Baal, Horst Tappert, Siegfried Schürenberg, Agnes Windeck, Ilse Pagé, Mady Rahl, Uta Levka, Hans Söhnker, Otto Stern, Alexander Engel, Tilo von Berlepsch, Harry Wüstenhagen, Kurd Pieritz, Arthur Binder, Rainer Brandt, Kurt Waitzmann, Paul Berger
screenplay by Herbert Reinecker (as Alex Berg), based on a story by Edgar Wallace, music by Peter Thomas
Rialto's Edgar Wallace cycle, Edgar Wallace made in Germany, Sir John (Siegfried Schürenberg)
review by Mike Haberfelner
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Jane (Karin Baal) has learned only from the newspapers that her father,
the Captain (Otto Stern), has died and left her Blackwood Castle. To
accept her inheritance, she travels to the place, but is met with disdain
by the Captain's lawyer Jackson (Hans Söhnker) and caretaker Grimsby
(Arthur Binder), with the latter going so far as to leaving a live snake
in her bed. She however decides to sit it out. Meanwhile at the nearby
hotel owned by Lady Beverton (Agnes Windeck), the guests keep
disappearing, they simply fail to come back from their walks - which calls
the Yard into action, represented by no other than the Yard's chief Sir
John (Siegfried Schürenberg) himself, travelling with his secretary Miss
Finley (Ilse Pagé). Sir John, though not the smartest when it comes to
investigating, soon enough has pinned down two suspects, Fairbanks (Horst
Tappert), who's a bit too nervous for his own good, and Connery (Heinz
Drache), who's a bit too slick to not be involved. However, Lady
Beverton's guests continue to disappear, and eventually turn up dead,
killed by poisonous dog bites, and it's found out that all the victims had
served under the Captain on a ship where a priceless collection of jewels
disappeared - after which the Captain was relieved of his command, but it
could never be prove that he was behind the theft. And apparently, all the
victims were his accomplices who have come to collect their share, but
were killed by ... who exactly? The Captain would of course be the obvious
choice, but he is dead in his coffin, as his crypt is frequently checked.
Oh, Fairbanks is one of the Captain's men, and he grows more and more
nervous, as it's either be arrested of killed by a poisonous dog,
apparently. Connery on the other hand turns out to be an insurance agent
after the jewels, and eventually he gets behind the secret: The Captain's
actually alive and kept in a catatonic state via some infusions by the
local doctor (Alexander Engel), who in turn is in league with Grimsby and
Lord Beverton (Tilo von Berlepsch). But then the doctor and Lord Beverton
want to turn on the Captain to keep the jewels as their own, while Connery
joins forces with the Captain as he figures a share of the jewels trumps
his income with the insurance company, and also Jane's mother (Mady Rahl)
turns up and wants some of the wealth as well - but in the end, Sir John
and even more so Miss Finley see to it that all of the involved get their
just desserts. Now the German Edgar Wallace adaptations were
never known for their great writing, but this one surely takes the cake,
as it's convoluted to the hilt and full of plotholes and leaps of reason,
so much so that it at times seems to enter parody territory, and one
really has to turn off one's brain for this to properly work - and even
then there's plenty of weirdness, like why would one give the dogs
poisonous teeth if they rip their victims apart anyway? And what's the
strange relationship between Sir John and Miss Finley, with the former
constantly groping the latter, and the latter not minding one bit? And why
would Grimsby put a snake into Jane's bed only to save her minutes later?
And what is that skeleton doing in front of her room door? But despite all
this weirdness, I don't want to dismiss the film, as it only adds to the
movie's (nostalgic) charm, and Alfred Vohrer's solid direction turns this
into an old-fashioned yet atmospheric spooker. Not good in the original
meaning of the word perhaps, but highly entertaining all the same.
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