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Khooni Dracula
Deadly Dracula

India 1992
produced by
Harinam Singh for H.S. Films
directed by Harinam Singh
starring Harinam Singh, Sonia Thakur, Kaushal Singh, Usha Singh, Amrit Pal, Bhagwan Dada, Pappu Polister, Ali Khan, Sunil Verma, Vishal, Shanker, Karn, Munna, Dimple, Maha Sweta, Arun Mathur, Birbal
written by Harinam Singh, music by Amar Amit, lyrics by Arun Kumar, Harinam Singh


review by
Mike Haberfelner

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Dracula (Amrit Pal) is on the prowl again, killing women all over the city, including Baby, who has managed to escape the vampire repeatedly, but whoever she told about it didn't believe her ... well, until she was found dead. Now her brother Ratan vows revenge.

Somewhere else in town, cop Kaushal tries to bust a drug kingpin. This kingpin's niece only slowly comes to the realization that he might be a baddie, and might have had to do something with the death of her family, and now she vows revenge.

What's the connection between these two stories?

Well, Dracula was actually brought back to life by the drug kingpin and now serves as his slavew, killing the girls the kingpin wants out of the way.

Eventually, Natan, Kaushal, Kaushal's girlfriend Jyoti, and the kingpin's niece all unite, force a confession out of the kingpin then shoot him dead, then go after Dracula by using the girls as bait.

It all ends happily, with Dracula providing the base for a campfire.


Dracula at his worst and cheapest: The script of this film is a badly concieved collection of standard situations, with several scenes remaining unconnected to the main narrative, narrative threads dropped at random, and even the main ploremaining vague. The cast's performances range from wooden to uncomfortable in front of the camera. The sets, costumes and props are uniformly of the cheap to home-made variety. Dracula is alternatively shown as a cheaply concieved rubber-monster and an allegedly seductive guy in a cheap top hat. And the directorial effort is best described as bland to impersonal, with special attention given to the stock footage of a thunderstorm edited into the proceedings every time Dracula appears - but at least there is one hilarious stand-out scene of Dracula disco-dancing. And as for the many song-and-dance routines interupting the proceedings (commonplace in Hindi moives, as you might know) - they seem inappropriate, but quality-wise, they're the best the film has to offer.

Final verdict: This is a movie you won't even enjoy if you're into bad movies - but if you're a trash-movie enthusiast like me, you'll want to see it anyways, no matter what I say, right?


review © by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD