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Das Rätsel der roten Orchidee
Secret of the Red Orchid
The Puzzle of the Red Orchid / Das Geheimnis der roten Orchidee / Gangster in London
West Germany 1962
produced by Horst Wendlandt for Rialto
directed by Helmuth Ashley
starring Christopher Lee, Adrian Hoven, Marisa Mell, Pinkas Braun, Klaus Kinski, Eddi Arent, Christiane Nielsen, Eric Pohlmann, Fritz Rasp, Wolfgang Büttner, Herbert A.E. Böhme, Günther Jerschke, Sigrid von Richthofen, Hans Paetsch, Edgar Wenzel, Hans Zesch-Ballot, Ernst Fritz Fürbringer, Peter Frank, Benno Gellenbeck, Kurt A. Jung, Frank Straass, Konrad Mayerhoff, Xaver von Dombrowsky
screenplay by Egon Eis (as Trygve Larsen, based on the novel When the Gangs Came to London by Edgar Wallace, music by Peter Thomas
Rialto's Edgar Wallace cycle, Edgar Wallace made in Germany
review by Mike Haberfelner
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Over in Chicago, the gang of Kerkie Minelli (Eric Pohlmann) blows the
gang of rival O'Connor pretty much to pieces - but FBI man Captain
Allerman (Christopher Lee) gets Minelli on lesser charges and deports him
to Europe. And ultimately, Minelli settles in London, as does handsome
Steve (Klaus Kinski), the only survivor of the O'Connor gang, who now
makes a living as a tobacconist. One year as gone by, and suddenly the
wealthies all over town receive blackmail letters prompting them to pay a
substantial sum of money or die - something both the Minelli and the
O'Connor racket specialized in, so it's only logical that the
investigating Scotland Yard inspector Weston (Adrian Hoven) asks Captain
Allerman for help. One of those blackmailed is old man Tanner (Fritz
Rasp), whose secretary Lilian (Marisa Mell) Weston has grown quite
friendly with. He asks for Scotland Yard protection, but is shot before
they can arrive. Tanner has left his whole fortune to Lilian, which
doesn't faze his only known (estranged) relative, orchid collector Edwin
(Pinkas Braun), in the least, but he starts to spend a lot of time with
Lilian, and she kind of falls for his charms, much to the dismay of
Weston. Thing is, seems there wasn't much of an inheritance left, and soon
Lilian has start to work at a bank, with her boss becoming one of the next
would be victims, but the FBI lures his assailant (Edgar Wenzel) into a
trap. Weston and Allerman find out though that the bank in question might
be at the center of the whole affair, so Weston asks Lilian to investigate
the vaults. In the meantime, Minelli and the handsome Steve start a
gangwar, followed by an even deadlier seize fire that costs both men their
lives while also blowing up Steve's tobacconist's shot and revealing a
secret passageway between there and the bank's vault which Weston and
Allerman follow just in time to find Edwin confronting Lilian as he's not
only the mild-mannered orchid collector everybody has taken him for but
also (under another alias and in disguise) the owner of the bank, and of
course also O'Connor, that gangster from Chicago, who has somehow escaped
his own death. But of course, everything ends happily. Eddi Arent does
the comic relief, playing a butler who has the talent of picking his
employers as the next on the blackmailers' lists, thus losing his job due
to his respective employer's death on a regular basis. If you
take Das Rätsel der Roten Orchidee seriously and try to make
perfect sense of it, chances are you'll hit a brick wall pretty soon, as
the whole thing is unnecessarily convoluted, contrieved, and not always
rooted in reason. Plus, everything's a bit too in-your-face here to make
for a solid suspense piece. But all of this is also the charm of the
German Edgar Wallace adaptations at large, they're not known for their
subtlety or for their concise storytelling, rather for a tad of spectacle,
some cheap thrills, a bit of romance thrown in for good measure, all
attached to a clichée riddled story that moves swift enough to keep one
from overthinking things while watching. Now some of these movies do it
better than others, and this one's pretty much average by series
standards, it sure enough is ok entertainment, but lacks anything to make
is special, one way or the other.
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