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USA 2006
produced by
Michael Raso (= Michael Beckerman, executive) for ei Independent Cinema (Shock-O-Rama)
directed by Tony Marsiglia
starring Misty Mundae (= Erin Brown), Erika Smith, Ronnie Kerr, John Castine, Nikos Psarras, Steven Bergen, George Fuentes, Janelle McCullogh, Camille McDowell, Lisa McVicker
written by Tony Marsiglia, music by Nick Vasallo

review by
Mike Haberfelner

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Lilith (Misty Mundae) wants nothing more than a perfect life, which means a successful husband who is able to satisfy her, and of course a baby. Unfortunately her real life husband Jim (Ronnie Kerr) is an alcoholic, unemployed loser who can't get it up - and thus no children, no good sex.

Then a new couple moves in next door from Lilith, Aisha (Erika Smith) and Sam (Nikos Psarras), and they are everything Lilith always wanted to be, have successful careers, great sex (loud enough for Lilith to hear it through the walls), and eventually Aisha even gets pregnant.

At first, Lilith is totally infatuated by Aisha, so much so that she totally identifies with her, and when Aisha tells her she's pregnant, she automatically thinks she's pregnant as well - and won't even believe her gynecologist when he tells her otherwise. Eventually though, Lilith totally loses touch with reality, starts threatening people at her work with a gun, pushes her hubby Jim off a balcony to his death, and pays Aisha a visit, to cut the unborn baby out of her belly ...

10 years later: Lilith and Sam have brought up Daisy - the name of Aisha's unborn baby - and Lilith is pregnant with another child ... but of course, the question remains, how much of this is real, how much is just Lilith's imagination of a perfect life ?


In many ways, Sinful is great, it's beautifully photographed (despite being shot in just 4 days), it features many bizarre and surreal scenes, and it gives Misty Mundae an opportunity to really shine as an actress, turning in easily her most differentiated performance yet.

... and yet, Sinful as a whole is far from great: Writer/director Tony Marsiglia frequently loses himself/his film's plot in his many bizarre plot devices, many scenes don't make any sense other than make the film look artsy, the film has considerable lengths, and one can't shake the feeling that Marsiglia desperately tries to imitate David Lynch instead of finding his own cinematic language - and imitating other directors is never a good idea, especially those with such personal visions as Lynch.

Still, the film is not all bad either, it's a bizarre, twisted piece of what one could label as art-horror, and it features a stunning performance by Misty Mundae (who spends most - not all - of the film all dressed by the way).


review © by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD