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Stampila
USA / Moldova 2024
produced by David Larson for Budova Film, Brio Film
directed by David Larson
starring Irina Rusu, Tommy Dickie, Lia Sinchevici, Shawn Law, Ana Maria Cobileanschi, Galina Rosca, Igor Caras, Dragos ScutelnicuTudor Andronachi, Serghei Terentii, Viorel Cornescu, Ion Grosu, Igor Mitreanu, Vitalii Jacota, Ghenadie Galca, Veaceslav Mereuta, Igor Babiac, Podborschi Felix, Alexandrina Grecu, Jon Jitari
written by David Larson, music by Elias Tadeus
review by Mike Haberfelner
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Moldova is a beautiful country, what with its beautiful landscapes and
vinyards - or at least it could be, if it hadn't fallen into the hands of
oligarch's after the fall of the Soviet Union, oligarchs that pretty much
served themselves from the get-go while suffocating the populace with a
overboarding bureaucracy that in turn led to a system of rampant bribes.
But shit started to hit the fan when these oligarchs stole €1 billion
from the gouvernment funds, money badly needed to save the floundering
economy. But after that, the elite got a little cautious because one man,
opposition leader Mihai (Dragos Scutelnicu), wouldn't have it anymore and
plans a revolution. Not that the gouvernment takes him all that seriously,
but still they hire a couple of specialists from the US - after all it's
in the US's interest to have stable autocrats installed rather than
replaced for feeble one. The two US agents are young and somewhat
idealistic hacker Preston (Tommy Dickie) and shady veteran Uncle Jerry
(Shawn Law). And with a strategy based on fake news and social media they
try to sway the situation. There's two things though that our Americans
don't know, one that their interpreter Anastacia (Lia Sinchevici) is
secretly working for the other side, and two that Mihai might be the
figurehead of the revolution but not the mastermind - and that would be
Olga (Irina Rusu), a high ranking gouvernment official who knows
everything there is to know about the system, has access to all sorts of
official stamps, and now uses the country's bureaucracy against the very
people who have trusted this system will forever support them ...
First and foremost, this is not based on actual historical
events (so much so that it anticipates a revolution that only happened a
few months after the shoot) but rather an epic satire on the political
conditions inside the country and how they may lead/might be used to its
downfall. But to the film's credit, it was actually filmed in Moldova,
when the oligarchs were still in power. But even without all this
backstory, Stampila is a very cool film, as despite being about
specifically Moldovan conditions, a country I admittedly know very little
about, the story feels universal and thus relatable, the direction is
elegant and makes perfect use of its locations, and the cast's solid to
bring across the clever script rather beautifully, all making this into a
movie not to be missed.
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review © by Mike Haberfelner
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Robots and rats,
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the new anthology by Michael Haberfelner
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