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That's a Wrap

USA 2023
produced by
Joe Knetter, Marcel Walz, Sarah French, BJ Mezek (executive), Andreas Tremmel (executive), Justus Heinz (executive), Yazid Benfeghoul (executive), Tina Limbeck (executive), Robert L. Lucas (executive), Kai E. Bpgatzki (executive) for Neon Noir
directed by Marcel Walz
starring Cerina Vincent, Monique Parent, Sarah French, Gigi Gustin, Robert Donavan, Adam Bucci, Ben Kaplan, Sarah Polednak, Brandon Patricio, Steve J. Owens, Eve Marlowe, Robert L. Lucas, Dave Sheridan, Jed Rowen, Frédéric von Anhalt, Kwame Head, Joe Castro, Matt Sampere, Tom Savini
written by Joe Knetter, Robert L. Lucas, music by Klaus Pfreundner, special makeup effects by Joe Castro

review by
Mike Haberfelner

It's the wrap party of a film fittingly called It's a Wrap, a slasher movie about a killer going around killing people wearing a mask and a blond wig. The party pretty much assembles all the usual suspects who one would expect from such a party, including the egocentric director Mason (Robert Donavan), his actress-past-her-prime wife Lily (Monique Parent), actress Lana (Sarah Polednak), who seems to be too innocent to be true but still ends up having sex with her co-star Carter (Ben Kaplan) in one of the studios, token gay buy Troy (Brandon Patricio), stoner and closet gay Stoney (Steve J. Owens), rich guy Jamie (Adam Bucci), who thinks he can buy his way into an acting career, the final girl of the movie Harper (Sarah French), and several more, all with their quirks and shortcomings. And what's going on at the party is the typical drinking, socializing and back-biting that tends to happen at such an event, and nobody really notices one of the cast is missing, actress Alexis, who was the first victim of the blond-wigged killer in the movie - that's because she has been killed by a blond-wigged killer at the studio after hours just the day before. And of course, the blond-wigged killer is also roaming the studios the wrap party's held at, but all our cast and filmmakers are way too wrapped up in their own agenda to notice until it's much too late ...


Now That's a Wrap's a film that's sure to satisfy your average slasher fan's every need, it has all its suspense and jump scares in all the right places, is gory where it needs to be, and some of the killings are rather inventive even. And of course, hommages to genre classics from giallo cinema to a shower murder scene reminiscent of the one in Psycho are also sure to sit well with the slasher crowd. And yet, the film's more than just that, in fact it feels much more like a showbiz satire dressed up as a slasher more than anything else: For one, there's a meta-level to the proceedings where the events of the film-within-the-film are mirrored in the movie, and then there's several of the actors playing (of course totally superelevated) versions of themselves. Now add to that a solid cast playing a wonderfully colourful cast of relatable characters, and a very stylish, giallo-influenced directorial effort, and you come away with a pretty awesome piece of cinema that's sure to appeal to more than just the slasher crowd.


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review © by Mike Haberfelner


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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.


There's No Such Thing as Zombies
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry


directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke


now streaming at


Amazon UK





Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from