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Volshebnaya Lampa Aladdina

Aladdin's Magic Lamp

USSR 1966
produced by
Gorki Film Studios
directed by Boris Rytsarev
starring Boris Bystrov, Dodo Chogovadze, Andrei Fajt, Otar Koberidze, Ekaterine Verulashvili, Georgi Millyar, Gusejn Sadikhov, Valentin Bryleyev, Otar Bilanishvili, Sarry Karryev

Aladdin, 1001 Nights

review by
Mike Haberfelner

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An evil wizard searhces all Bagdd for Aladdin (Boris Bystrov), to his knowledge the only man alive who can get him the magic lamp from Shadow City.

But Aladdin, son of a poor farmer, has just lost his heart to princess Boudour (Dodo Chogovadze), whom he has just laid an eye upon when she was going to take a bath in public - in Bagdad a crime punished with decapitation, Aladdin escaped however, & now his heart beats only for her. This makes it an easy task for the wizard to weasel himself into the life of Aladdin, posing as his rich uncle, promising him diamonds & pearls so Aladdin can marry the princess, & all he asks for is for Aladdin to get the magic lamp.

Once Aladdin has achieved that, though, the wizard tries to kill him, & only th nks to the Djinn (Sarry Karryev) of the lamp, who despises the wizard, can he be stopped in the nick of time & is sent to all 4 corners of the world ... Aladdin & the Djinn, on the other hand, become friends.

Knowing the Djinn on his side, Aladdin startsto court the princess, who of course falls in love with him too, but for his efforts he is only thrown into the dungeons, while the princess - to yavoid her falling for a farmer's boy ever again - is promised to the first bloke who enters through the palace's door by her father the Sultan (Otar Koberidze) - who happens to be Mubarak (Valentin Bryleyev), the rather dim-witted son of the Grand Vizier (Gusejn Sadikhov), while the princess is persuaded that everything concerning Aladdin has just been a dream, which she reluctantly starts to believe.

Then though the Djinn frees Aladdin from his prison, discredits Mubarak in front of the Sultan with some harmless trickery and arranges another meeting between Aladdin & the princess -- & on that occasion they decide to marry right away, with the help of the Djinn's magic.

However, the spoilt princess takes the thing too far & uses the magic without limitations, & soon the lovers start to fight which leads to Aladdin leaving the palace - & in all the confusion the wizard, who has since returned from the 4 corners of the world, snatches the magic lamp.

First thing he orders is that he will marry the princess & the Djinn is to kill Aladdin. This puts the Djinn into a dilemma though, since on one hand he has to follow orders of the master of the lamp, on the other hand he can't kill his friend.

Aladdin finds a way out of this though, making the Djinn a new home in a jug, of which he, Aladdin, is the master. Now the Djinn & Aladdin can chase off the wizard for real, & Aladdin can finally marry princess Boudour - for real.

 

A rather childish Arabian Nights-fairy tale, but in contrast to similar Hollywood products of the same time & genre it is rather restrained in all-out kitsch & lacks the unbearable sugarcoating of its American counterpart (please note: said sugarcoating is not necessarily a bad thing, but more often than not it is), instead striking a more serious - even darker - note. And (also in contrast to Hollywood), none of the women are blonde or red-haired (!).

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
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Tales to Chill
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