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Shirunai Kengyo

The Blind Menace
Agent Shirunai / Secrets of the Court Masseur

Japan 1960
produced by
Kazuyoshi Takeda (executive) for Daiei
directed by Kazuo Mori
starring Shinaro Katsu, Tamao Nakamura, Mieko Kondo, Jojo Tsurumi, Mayumi Kurata, Toru Abe, Fujio Suga, Ichiro Izawa, Shinobu Araki, Yoko Wakasugi
screenplay by Minoru Inuzuka, based on the novel by Nobuo Uno, music by Ichiro Saito

review by
Mike Haberfelner

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Suganoichi (Shintaro Katsu) has been blind for all of his life, but that hasn't kept him from cheating seeing people out of their money, using techniques he has perfected at an early age. Now a grown-up, he works as a masseur and has the idea of becoming the leader of the blind man, the Kengyu, in his town - but to achieve that he needs money. So when he passes a wandering salesman with a bag full of money in need of a massage, he promptly kills him using his accupuncture needles. Unfortunately he was seen doing so, but fortunately by the crook Kurakichi, who is easily bribed, and also naive enough to leave Suganoichi a token of their friendship - which Suganoichi promptly places in the dead man's hand.

Weeks later, while Suganoichi is massaging a client, a gang of outlaws breaks in to rob the house, killing both the client and his wife - but when they prepare to kill Suganoichi as well, he recognizes Kurakichi to be one of them, and in the end the hoodlums not only spare his life, they also agree to share the loot with him (mainly because he's the only one who knows where the money is hidden) and accept him into their gang as a sort of undercover agent. As an added bonus, Suganoichi takes the maid of the household, whom he has long longed for, back home with him to help her come over the shock (she doesn't know he was in with the outlaws of course), but when she rejects his advances, he just rapes her, and when she kills herself the next day, he has already lost interest.

Sugaichi learns about the wife of a high official who is in need of money which her husband is not to know about ... so Suganoichi, who has made more money from his illegal enterprises that he can ever spend, agrees to help her out - but in return makes her his sex slave. When her hubby finds out, he wants to kill Suganoichi, but by that time, Suganoichi has already faked his own death ...

Suganoichi knows the only way to become the new Kengyo is to kill the present Kengyo, who's his master, and his wife, so he hires his gang of hoodlums to do just that, and when they also want to kill him in the process, he makes sure the plan backfires, and he still comes out on top.

5 years later: Suganoichi has now become Kengyo, and has made the most beautiful woman of the town his wife - but she doesn't love him and has an affair with a carpenter - so he hires the carpenter to make him a treasure chest, thenm kills both and uses the chest to bury them in.

Eventually, Kurakichi, who is still in Suganoichi's employ is arrested and accused of the murder of the man he has witnessed Suganoichi kill, and when Kurakichi realizes he has been tricked, he spills the beans about Suganoichi, which also brings the official whose wife Suganoichi has made his sex slave back on the scene, and in the finale, Suganoichi is stoned to death by the police and an angry crowd just when he's on the way to give a massage to the Shogun's daughter, which should have been the crowning achievement of his career.

 

Many sources cite this film as either the dry run or even the inspiration for the Zatoichi-series, just because Shintaro Katsu plays a blind masseur in both of them - but being blind and being a masseur is pretty much all Katsu's role in this film and in the more popular swordsman-series have in common. The point is while the Zatoichi-series focuses on swordsplay featuring a almost superhuman blind swordsman who's also a bit of a rascal, Suganoichi is basically a down-and-dirty bastard, a bad guy if there ever was one.

This all, of course, doesn't say anything about The Blind Menace's own qualities. Fact is, the film is very entertaining in a dark sort of way, with Shintaro Katsu giving a fine performance as a bad guy. That said, the film is certainly no masterpiece and is terribly episodic in parts, but it's enjoyable enough nevertheless.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

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special appearances by
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directed by
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written by
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produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
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Tales to Chill
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Out now from
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