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Il Precio de un Hombre

Bounty Killer
Ohne Dollar keinen Sarg / The Price of a Man / The Ugly Ones

Spain/Italy 1966
produced by
Discobolo Film/Tecisa
directed by Eugenio Martin
starring Tomas Milian, Richard Wyler, Mario Brega, Halina Zalewska (as Ilya Karin), Hugo Blanco, Luis Barboo, Manuel Zarzo, Frank Bana, Saturno Cerra, Lola Gaos, Tito García
based on the story Bounty Killer by Marvin H. Albert, cinematography by Enzo Barboni, music by Stelvio Cipriani

review by
Mike Haberfelner

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José Gomez (Tomas Milian) is a no-good bandit & killer who is brought to the prison of Yuma, where his execution awaits him, but nevertheless he is freed with the help of his girlfriend ,good girl Eden (ilya Karin).

Luke Chilson (Richard Wyler) is a bouty hunter, on Gomez' trail, yet when he visits the little settlement where Jeannie lives with her uncle Ernest, ex-sheriff of Santa Fe, & where he thinks Gomez will pop up eventually, he is met with distrust from the settlers, who know Gomez since childhood & figure he is basically a good, if a little wild, boy.

Soon Gomez shows up too, & he & Chilson have a shoot- & duke-out, until Chilson can finally make Gomez his prisoner ... but when he wants to take him to the next sheriff, Gomez manages to take advantage of a moment of carelessness, trick Chilson & beat him up good ... all before the eyes of the entire settlement.

Then he ties him up in the nearby stables, & noone seems to care much ... until a bunch of Gomez' friends arrive, & they prove to be a rude bunch & soon start terrorizing the whole settlement.

The settlers start having doubts if it was right to side with Gomez & tie up Chilson, but nobody musters up enough courage to free Chilson.

Then though the bandits plan to rob the settklements provisions, & of all people only Eden has the dourage to cut Chilson loose, who has since been tortured severely by Gomez & his men ...

With chilson gone, the gang starts to panic, & everybody blames Gomez for not having him shot sooner ... which in trms leads Gomze to shoot one of his own men to prove his supremacy.

Without any success, Gomez' men search for Chilson in the surrounding area, but Chilson comes back into the settlement voluntarily ... with the provisions wagon as a Trojan horse ... & of course in a final shoot-out he can get rid off all the bandits.

 

A very interesting Western that pretty much turns all the usual Western clichés topsy turvy by presenting multi-layered characterisations of its main characters not usually found in (Euro-)Westerns of its time: while the bounty-killer, who basically represents the law in this movie (if on a very crude level) comes off as a complete asshole, terrorizing the settlers to attain his own goals, the bandit, who is seen killing a bunch of people, seems like a rather likeable character, who might be flawed, but essentially good-natured, & the good girl is essentially the bandit/killer's accomplice till very late in the movie, while the old lawman hardly ever sees any reason to take any action at all - & when he finally sides with the forces of good (meaning - in an ambivalent way - Chilson) he is shot dead for his efforts.

That the movie boasts great camerawork, brisk pacing & action aplenty doesn't hurt the film either of course.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
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