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Buck Rogers in the 25th Century - The Dorian Secret

episode 2.13

USA 1981
produced by
John G. Stephens, John Mantley (executive) for Glen A. Larson Productions, Universal/NBC
directed by Jack Arnold
starring Gil Gerard, Erin Gray, Thom Christopher, Jay Garner, Wilfrid Hyde-White, Devon Ericson, Denny Miller, William Kirby Cullen, Felix Silla, Mel Blanc (voice), Walker Edmiston, Michele Marsh, Dennis Haysbert, Stuart Nisbet, Eldon Quick, Brady Rubin, Jackie Russell, Lachelle Chamberlain, Keith Atkinson, Jeff David (voice)
written by Stephen McPherson, based on characters by Philip Francis Nowlan, Robert C. Dille, music by Donald Woods, visual effects supervisor: Peter Anderson, David Jones

TV-series
Buck Rogers, Buck Rogers in the 25th Century

review by
Mike Haberfelner


When Buck Rogers (Gil Gerard) and company pick up evacuees from a dying planet on a space station to re-settle them, Asteria (Devon Ericson), a girl on the run from Dorian guards jumps on board at literally the last moment. She refuses to say why she was on the run, and at first Buck doesn't press her on the subject. Then though Buck's ship, the Searcher, gets caught in a Dorian tractor beam, and Dorian leader Koldar (Walker Edmiston) himself insists that Asteria is handed over, as she's accused of having killed his son. And as Buck refuses, the Dorians alternately heat up and freeze the ship to pretty much force the Searcher to hand over the girl. Buck and the higher-ups on the Searcher of course refuse to give in to what's basically torture, but the evacuees insist - only they don't know who the Dorian in their midst might be, as the Dorians are said to are mutants and invariably wear masks - but Asteria doesn't wear any and is pretty as a picture. Buck demands to be let onto the Dorian vessel and review the evidence - and that evidence is merely a video that shows that Asteria might have pushed Koldar's son off a cliff (or actually tried to save him). Talking to Kaldor's son Demeter (William Kirby Cullen), who somehow takes the side of Asteria, Buck notices there's more to the story that meets the eye, so he forces Koldar's hand, making him have Asteria executed before Demeter's very eyes - and Demeter interferes in the very last moment, admitting that shortly before his brother's death they had an argument that resulted in the brother being hurt, and when Asteria found him she actually tried to get him help when he stumbled and fell. Demeter blames the mask on it all, and suddenly Koldar comes to the conclusion that his people should never again wear masks - even if they all look the same underneath.

 

The very last episode of Buck Rogers in the 25th Century, and the series, an uneven late 1970s/early 80s piece of space camp to cash in on the early Star Wars movies, ended not with a bang but neither with an outright fizzle: Sure, many of the ideas here are ludicrous, and especially the arguments between the passengers have disaster movie quality, and not in a good way, while the episode as a whole centers more on Buck then usual in the show's second season, with his co-leads reduced to supporting status - especially when it comes to Erin Gray's Wilma Deering, who's portrayed as little more than a glorified stewardess in this one -, so not giving them a proper send-off. On the other hand though, this episode was directed by science fiction great Jack Arnold (even if you mustn't expect another Creature from the Black Lagoon here) and features nobody's favourite Tarzan Denny Miller (1959's Tarzan the Ape Man) as benign strongman among the passengers. Plus, the episode as such is actually one of the better ones of the series as it doesn't follow the space opera formula too rigidly. In all though by no means great science fiction, but fun nostalgia.

 

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review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
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produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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