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Meg (Sandy Carey) is only living at her parents because of her sick mother - but then her mother dies and it doesn't take long for her father to rape her. She runs away of course, and thanks to her boyfriend Pete (Bill Scott) she soon finds a new place where she could find abode - but when she finds out that the girl at that apartment (Rene Bond, Jill Sweete) live there for free in exchange for sexual favours to visitors who might stop by, she's at first shocked - until their male housemate (Ric Lutze) stops by and she immediately wants him to "audition" her, even in front of Pete ... who soon though finds (sexual) comfort with one of the girls (Bond). Meg soon becomes the top girl of the apartment, but freaks people out with her father fixation - and then daddy does turn up, with a weird notion of "saving" Meg. Meg and her father get into a tussle that ends with her stabbing him. It only then turns out that Meg's dad wasn't her dad at all, that honour goes to the male housemate she so eagerly had an "audition" with earlier.

From a cinematic point of view, I'm No Virgin is a rather insignificant little film, a piece of hard softcore - one doesn't see any actual penetration but pretty much everything else, including scenes where it's obvious the performers are at it for real - that looks and feels like so many others of its ilk, down to not always on point camerawork and sometimes erratic editing ... which of course all mattered very little to the audience of the day who watched the movie mainly for the promise of lots of sex - on which I'm No Virgin fully delivers. But while I'm No Virgin might not be a "good" movie in the traditional sense of the word, it sure is a great time capsule, and ably proves how much sexual mores have changed in the last 50 years, which includes the presentation of female sexuality and toxic masculinity - and from that point of view, I'm No Virgin couldn't be made in this day and age anymore, and probably for the better, too. But as a sleazy trip down memory lane, I'm No Virgin truly delivers.

review © by Mike Haberfelner

 

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