The Last Christmas Party
USA 2020
produced by Troy Enoka, Julian Carlo Santos, Scottie Schwefel, Chase Crawford (executive), Tommy Olszewski (executive) for City Bear Media
directed by Julian Carlo Santos
starring Anna Clare Kerr, Samantha Brooks, Lainey Woo, Martin Drop, James Williams, Gabriel Armentano, Spencer Wawak, Rosie C. Dean, Kyvon Edwin, Charis Storms, Brittany Raper, D.J. Bilal, Eddie Grey, Devonn Duffin
written by Kevin Nittolo, Julian Carlo Santos, music by Jake Tavill
review by Mike Haberfelner
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It's
only days away from Christmas, so Ed (Martin Drop), Charlie (James
Williams) and Steven (Gabriel Armentano) throw a party in their apartment,
before they and their friends leave for their families in various parts of
the country – and abroad even. Quite naturally, they also invite their
girlfriends, not knowing that all their relationships are at a breaking
point:
Steven
and Caroline (Anna Clare Kerr) have a fling – at least that’s how he
interpreted it, she actually thought it was more, and finding out how
Steven thinks about their relationship, and at the party, too,
breaks her heart - and it doesn’t get any better when she catches him
making out with Melissa (Rosie C. Dean).
Ed has to leave for his native South Africa
the morning after the party, and he hasn’t yet got a visa to come back.
Problem is, he hasn’t told his girlfriend for two and a half years Jun
(Lainey Woo) yet that he might not be able to come back, and when she
finds out, and not from him but from Charlie, she’s understandably mad.
Laura
(Samantha Brooks) is in love with Charlie, but he was unwilling to commit
until she ended her long distance relationship with her high school
sweetheart – which she did only prior to the party, and thus nothing
stands in the way of … well, they do end up having sex. There’s one
problem though, he has always felt somewhat drawn to Caroline, and now
that she has all those problems with Steven, she naturally needs a
shoulder to lean on, maybe more …
The
Last Christmas Party
is a film that doesn’t even claim to have the answers in all things
relationship, it’s much more a slice-of-life movie that favors
storytelling over making a point and naturalism (also mirrored in the
performances of the ensemble cast) over spectacle – and that works,
because the story, or rather three stories, feel real and relatable, and
the way they’re intertwined – told one after the other despite
happening at the same time – really adds to the attraction of this
movie, as each story has repercussions onto the others, that are really
only found out once everything’s said and done, making this a rather
fascinating cinematic puzzle.
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