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Malastrana

Short Night of the Glass Dolls
Corta Nette delle Bambole di Vetro / Das Todessyndrom / Kratka Noc Leptira / Paralyzed / Unter dem Skalpell

Italy/Yugoslavia/West Germany 1971
produced by
Enzo Doria, Luciano Volpato (executive) for Doria G.Film, Dunhill Cinematografica, Jadran Film, Dieter Geissler Filmproduktion
directed by Aldo Lado
starring Jean Sorel, Ingrid Thulin, Mario Adorf, Barbara Bach, Fabijan Sovagovic, José Quaglio, Relja Basic, Piero Vida, Hrvoje Svob, Joza Seb, Petar Dumicic, Rikard Brzeska, Vladimir Bosnjak, Petar Buntic, Ivo Kadic, Jürgen Drews, Semka Sokolovic-Bertok, Sergio Serafini
written by Aldo Lado, music by Ennio Morricone, song sung by Jürgen Drews, cinematography by Giuseppe Ruzzolini

review by
Mike Haberfelner

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The apparently dead body of journalist Greg (Jean Sorel) is found somewhere in the streets of Prague, and brought to the hospital, where Ivan (Relja Basic), an old friend of Greg's does try to revive him against better judgement, but in the end even he has to give up ... thing is, Greg is not really dead but in suspended animation, and while lieing there and hoping to be saved after all, he tries to remember how he got here ...

It all started several days ago, Greg had a beautiful girlfriend, the lovely Mira (Barbara Bach), who one day just disappeared, without warning. Greg takes up investigations as to where his sweetheart has gone with his ex Jessica (Ingrid Thulin) and his editor Jack (Mario Adorf) - despite the fact that the local police and especially inspector Kiekroff (Piero Vida) do not want any interference, and repeatedly threaten to have him arrested.

Be that as it may, Greg's investigations soon lead to a series of disappeared girls, who all eventually turned up somwhere, completely naked, and al the girls were chamber musicians, like Mira, and have travelled the world - well at least the communist world - like Mira. And none of the relatives of the disappeared girls seem to be ready to talk - except for an old man, who is thrown a bridge though before Greg's very eyes.

However the old man lives just long enough to provide Greg with a clue to Club 66 ... but it seems to no avail, first Greg himself is pushed from a bridge into a river, but survives the fall, then he finds the (naked) sorpse of Mira in his own refridgerator, then the police knock at his door ... and since Greg knows he might be suspected as being the killer, he makes a daring escape, and finally visits Club 66 ... which turns out to be a satanists'  coven (led by José Quaglio), satanists who need travelling, lovely young girls like Mira to recrute new devotees - and when the young girls have served their purpose, they are just done away with. And since Greg has now become a problem too, he is administered a serum and put into suspended animation ...

Back in the here and now, Greg is rolled into an auditorium where a public post mortem is to be performed on him ... when he feels his senses (and essentially his life) coming back to him. But to his horror, he has to realize that Professor Karting (Fabijan Sovagovic) is one of the key figures of the coven, and he shows no hesitation to make a lethal incision just when Greg realizes he is able to move his hand ...

 

What might sound like a silly little horror thriller in my synopsis is actually a morbid, even surreal masterpiece, in the tradition of writers like Leo Perutz or Franz Kafka ... which is only one reason why the choice of Prague as backdrop for the story seems to be a logical one. The other is of course that Prague ahs a morbid atmosphere all of its own, which naturally also contributes to the film's effect. Competent acting, great direction and fantastic cinematography by Giuseppe Ruzzolini, who is more famous for his collaborations with Pier Paolo Pasolini, all make Malastrana a masterpiece, and maybe the most unique of the then fashionable Italian giallos (= a specifically Italian version of the whodunnit murder-mystery, often featuring a serial killer as well as heaps of sex and graphic violence).

By the way, intitally, Terence Hill, then an immensely popular comedy actor in Italy, was supposed to play the lead, but his management refused to put him into a movie where he dies in the end.

And another thing, Jürgen Drews, who plays a street musician here and sings a song, soon became a big Schlager (= a specifically German version of pop music invariably from the cheesy end of the genre) star in Germany, whose career, with its ups and downs, lasts to this day.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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a collection of short stories and mini-plays
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