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Masseba

Czechoslovakia 1989
produced by
Filmové Studio Barrandov
directed by Milos Zábranský
starring Karel Roden, Václav Postránecký, Victoria Kidane, Vladimir Marek, Radan Rusev, Jana Dolanská, Miroslav Stibich, Martin Dejdar, Vlastimil Venclík
written by Miroslav Vaic, music by Pavel Drazan, Jan Paukert

review by
Mike Haberfelner

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Post doomsday: A tribe of survivors take possession of a large but rundown building, killing all who put up resistance - but they don't know that the building is cursed by some demon god and haunted by a girl in white that seems to know some secret ...

Having taken the building, the tribe celebrates with what ultimately turns out to be an orgy - only a young man (Karel Roden) does not participate since he has lost his heart to a dark-haired woman (Victoria Kidane) who resides in the building's library, and the two soon become a couple - much to the dismay of the tribe's chieftain, who wants dark-hair for himself and therefore challenges the young man to a fight and defeats him. Dark-hair has since made an escape, but the chieftain catches up with her, rapes her, and then has her gangraped before the young man's very eyes.

But even after the gangrape, the chieftain won't stop humiliating both the young man and dark-hair, so much so that the young man eventually tries to commit suicide but survives his attempt unscathed. He then teams up with a blond haired tribesman long dissatisfied with the chieftain, and the two catch the chieftain in a net like a beast, then humiliate him by putting him on display in a cage. With the chieftain defeated, the young man becomes the new leader of the tribe, but before long he gets just as cruel as the chieftain, while blond hair already plans his demise by brutally torturing dark-hair, killing her mentor, the librarian, and destroying the library.

Eventually, everything leads to the young man and blond hair fighting it out, and our hero is just about to kill blond hair when he realizes the evil influence of the demon god on the tribe ... and while the other tribesmen are on a procession to dispose of the demon god's idol, the young hero and dark-hair follow the young girl haunting the place through the labyrinthine corridors of the building - until they end up outside in what could be paradise ...

 

Of course, in 1989, post doomsday films were not exactly hot news anymore, not even in Eastern Europe, and this movie is reminiscent of many classic (and not so classic) films of the genre, first and foremost perhaps Zardoz - yet Masseba is fascinating in its own right, a film that relies not so much on its (not exactly original) plot but on its poetic cinematic language that gets the most out of its limited sets (mainly a rundown building, actually) and on carefully composed sequences that are more reminiscent of an art performance than a science fiction film, a film that keeps its dialogue to an absolute minimum (the whole script for this 90+ minute movie probably contains no more than one page of dialogue) to keep the film from becoming bland, that relies on atmosphere rather than on action, and that (successfully) attempts to give its tried and true story a political dimension - and unfortunately it is also a film that has over the years become incredibly rare and deserves rediscovery on a large scale.

Recommended.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

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special appearances by
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directed by
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written by
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produced by
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Robots and rats,
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