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El Mundo de los Vampiros

The World of the Vampires

Mexico 1961
produced by
Abel Salazar for Cinematográfica ABSA
directed by Alfonso Corona Blake
starring Guillermo Murray, Silvia Fournier, Mauricio Garcés, Erna Martha Bauman, José Baviera, Yolanda Margain, Carlos Nieto, Maricarmen Vela, Alfredo Wally Barrón, Alicia Moreno, Álvaro Matute
story by Raúl Zenteno, Jesús Murcielago Velázquez, adaptation by Alfredo Salazar, screenplay by Ramón Obón, music by Gustavo César Carrión

review by
Mike Haberfelner

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More than 100 years ago and back in Transylvania, Count Subotai (Guillermo Murray) has been defeated by a vampire hunter ... but he has since dedicated his life to have revenge on his family, killing all male offspring - and now only Colman (José Baviera) is missing from his collection to make his triumph a perfect one. But Colman has long left for Mexico, so it took Subotai quite some time to track him down - but now he has he figures he will not only kill him but make his two nieces Mirta (Silvia Fournier) and Leonor (Erna Martha Bauman) his consorts. Colman thinks Subotai nothing but an eccentric neighbour and doesn't suspect anything until it's much too late and he's made Subotai's prisoner and has to witness how Leonor is turned. But Mirta and her boyfriend Rudolfo (Mauricio Garcés) rush to the rescue, but will Mirta herself walks right into a trap, Rudolfo is bitten by Leonor and is slowly turning into a bat-human hybrid. He still tries his best to help Colman flee, but ultimately the two are cornered and supposed to watch Mirta being turned ... when Rudolfo, a scientist in the field of music, has an idea, storms to an organ standing around, and plays a tune that kills all of Subotai's henchman-bats, and ultimately Subotai is disposed of by conveniently jumping into his own spiked mantrap. Happy end? Not quite, Leonor has been turned too far by this point and jumps after Subotai to her death - the others though return home safe and sound ...

 

Well, one would be hard-pressed to call El Mundo de los Vampiros the most original vampire movie - or even a particularly vampire movie at that. Matter of fact, the movie was in all probability made to cash in on Hammer's trailblazing Dracula from 1958, even if stylistically and storywise it has more in common with US B-horror from the 1940s - and quite obviously the film's budget didn't always live up to its ambitions, seen most blatantly in the rather ridiculous man-bat costumes. One also feels tempted to say the script could have been better and the acting is terribly uneven ... but then again, one mustn't forget this is a genre quickie not made to win any awards for originality and the like - and as that it's quite entertaining, in a way for all the reasons cited above, which might be the wrong reasons - but it's entertaining still.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
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screenwriter and film reviewer
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Tales to Chill
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the new anthology by
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