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Kamera o Tomeru na!
One Cut of the Dead
Japan 2017
produced by Koji Ichihashi for ENBU Seminar, Panpokopina, Zombie a Go-Go Films
directed by Shinichiro Ueda
starring Takayuki Hamatsu, Yuzuki Akiyama, Harumi Shuhama, Kazuaki Nagaya, Manabu Hosoi, Hiroshi Ichihara, Mao, Shuntaro Yamazaki, Shinichiro Osawa, Yoshiko Takehara, Miki Yoshida, Ayana Goda, Sakina Asamori, Tomokazu Yamaguchi, Takuya Fujimura, Satoshi Iwago, Kyoko Takahashi, Shiori Nukumi, Kouki Tsurunishi, Toshiyuki Kuba, Yu Shiraoka, Masaomi Soga, Kyotaro Gan, Miki Sawatari
screenplay by Shinichiro Ueda, based on the play Ghost in the Box! by Ryoichi Wada, music by Shoma Ito, Kyle Nagai, Nobuhiro Suzuki, special makeup effects by Kazuhide Shimohata
review by Mike Haberfelner
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Director Higurashi (Takayuki Hamatsu) shoots a zombie movie in an
abandoned warehouse with actors Chinatsu (Yuzuki Akiyama) and Ko (Kazuaki
Nagaya), but really loses it when for the umpteenth time Chinatsu doesn't
get her death scene right and storms off set, leaving the two actors and
makeup woman Nao (Harumi Shuhama) to their own devices ... and soon they
find out the warehouse is attacked by real zombies - which in the eyes of
Higurashi is a great turn of events ... and it's eventually found out that
he actually used some black magic to bring the dead back to life. Only now
the dead are attacking his cast and crew, and eventually pretty much
everybody but Chinatsu and her director are killed, turned, killed again -
and having successfully fought through a horde of zombies, lets her rage
out on Higurashi, who's still trying to give her directions, by cutting
him to pieces with an ax ... and this is where the story, shot in one
take, ends, only about a third through the running time of the movie. From
here it's flashback to a month earlier when mild mannered director
Higurashi, who does mostly corporate stuff, is approached by a fledgling
TV station to do a one-take zombie movie that's broadcast live - which is
of course a major effort, but doable with enough planning and rehearsals.
But on shooting day, everything seems to go wrong, starting with an actor
shooting up, leading to Higurashi taking on the character of the film
director himself, his wife Nao becoming a last minute replacement as the
makeup girl, but almost ruining the movie by getting too deep into
character and almost axing another actor to death, the lead zombie
(Hiroshi Ichihara) turning up on set dead drunk, the crane for the finale
being pushed over a ledge, and so on ... It's really how meta
can you get when a film features its own (made up) making of, explains its
earlier incongruencies away and to a certain degree even makes fun of
itself - and it works like a charm because it doesn't put an emphasis on
its own being meta but focuses on being just good entertainment, starting
with the film within the film which is a really exciting piece of zombie
cinema, and continuing with showing all the characters in a different
light in the "making of", and getting quite some comedy out of
their interactions, as well as the accident-prone actual shoot. Son in
all, a very fun movie based on a very original idea.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
Tales to Chill Your Bones to -
a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
tales that will give you a chill and maybe a chuckle,
all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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