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Orochi
Serpent

Japan 1925
produced by
Tsumasaburo Bando
directed by Buntaro Futagawa
starring Tsumasaburo Bando, Yoshimatsu Nakamura, Kinnosuke Nakamura (II), Utako Tamaki, Shizuko Mori, Misao Seki, Kensaku Haruji, Shigeyo Arashi, Momotaro Yamamura, Zen'ichiro Yasuda
written by Rokuhei Susukita

silent with live narration

review by
Mike Haberfelner

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Japan, the early 1700's: Samurai Heisaburo (Tsumasaburo Bando) is a top student of his master Eizon (Misao Seki), and in love with his daughter Namie (Utako Tamaki) - but then he gets involved in a number of fights through no fault of his own and is branded a bully and is thrown out by his master. And what's worse, Namie starts to reject him. He sneaks back into his master's house to explain himself to Namie, but she thinks he has come to rape her ... and for this he is thrown out of the village altogether, forced to become a ronin wandering the countryside.

Eventually, Heisaburo gets involved in a brawl in another village, and he is thrown into jail. Inside, he makes the acquaintance of Kokichi (Kinnosuke Nakamura), and once out again, he becomes Kokichi's bodyguard, not knowing that he is nothing but a common thief. With Kokichi, Heisaburo starts visiting an inn where pretty Ochio (Shizuko Mori) is working, and he falls head over heels in love with her, even if she doesn't share his feelings. Kokichi cannot help but noticing that fact, and since he needs Heisaburo for a big job, he has Ochio kidnapped and delivered to Heisaburo to have his way with her. The devil inside him tells Heisaburo to rape the girl right there on the spot, but there is enough honour left inside him to resist temptation. Then the police raids the place, and everyone gets arrested, but Heisaburo can at least help Ochio to escape.

Heisaburo has spent the last 6 months in prison, and only the thought of Ochio kept him going - until his longing for her becomes to overwhelming and he breaks out of jail ... only to learn that Ochio has married in the meantime. This doesn't change the fact though that Hwisaburo is still on the run from the police, and when he thinks all is lost, Akagi (Yoshimatsu Nakamura), the most honourable man in town, offers to hide him, an offer Heisaburo cannot refuse. Heisaburo soon becomes a fencing instructor in Akagi's household, and everything seems to have worked out fine after all - when Heisaburo learns that Akagi actually makes his money kidnapping girls from the village and selling them into slavery and prostitution. Now this is some kind of bitter irony, since while Heisaburo has done his best to never break a law, he is branded a villain, and Akagi, who makes his money from crime, is a man of honour ...

One day, Akagi's men have picked up Namie and her husband Shinnojo (Kensaku Haruchi), who have been attacked and robbed while travelling the countryside and now need assistance. However, in Akagi's eyes, assistance seems to mean having Shinnojo beaten up and trying to force himself onto Namie. Now this really is the last strawl for Heisaburo, who slaughters everyone (except for Namie and Shinnojo of course) in the Akagi household, then fights against an army of policemen ... and he holds up remarkably well, too, until he sees the dead bodies of the policemen he has slaughtered and realizes he has become a murderer of innocent people, which totally contradicts his code of honour. He surrenders and is dragged off like a wild animal, and his main regret is that he is considered a villain by everyone and nobody is able to look into his heart - but even if he does know it, at least Namie and Shinnojo are more than grateful ...

 

One of the few samurai movies (or chambaras, if you may) that have survived from the silent era, I wouldn't exactly call Orochi a classic just for that fact, after all it tells a pretty clichéed story in a rather predictable way and tries a little too hard to hammer its message (more or less "Don't judge a book by its cover") home - but all that said, at the same time the film is still pretty entertaining, very well-paced and featuring a few rather exciting fight scenes. And even if it isn't a classic, it's more or less a must-see for chambara fans simply because it is one of the very few surviving films of the genre.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
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special appearances by
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directed by
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written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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love and death and everything in between,
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
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Tales to Chill
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