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Sarah (Tatiana Maslany) is arrested by her (or rather deceased Beth's) former partner Art (Kevin Hanchard), who's desparately trying to get behind things, and when he interrogates her, she slowly comes to the conclusion she can trust him and is almost ready to talk - when the interview's cut short by her lawyer, or rather the lawyer provided by Leekie's (Matt Frewer) organisation that's probably behind everything. And Leekie offers Sarah and her fellow clones Cosima and Alison (both also played by Tatiana Maslany) protection and no more supervision, if only they agree to do medical checks twice a year. Cosima and Alison agree, but Sarah's not so sure, especially when she finds that the woman behind the scenes, Rachel (again Tatiana Maslany) is actually another version of herself.

Sarah receives a call from her birth mother, Amelia (Melanie Nicholls-King), who offers to tell her the truth about her foster mother Siobhan (Maria Doyle Kennedy), but before she can meet up, Sarah's twin clone Helena (of course it's Tatiana Maslany again) kills Amelia. Finding that out, Sarah gets into such a rage that she shoots Helena dead, twin sister or not. But Amelia had a photo with her that shows that Siobhan might actually be connected to Leekie's organisation in a not entirely positive manner.

In the meantime, Alison meets up with Aynsley (Natalie Lisinska), whom she believes to be her monitor, and the two get into a grave argument - that results in Aynsley having an accident and Alison refusing to save her life, prefering to be rid of her monitor for good - too bad then that Aynsley was indeed only a nosey neighbour while her own husband (Kristian Bruun) is revealed (to the audience, not to Alison) to be her monitor.

Cosima makes up with her girlfriend/monitor Delphine (Evelyne Brochu), and the two of them somehow get their hands on the clones' DNA sequences - and somehow find out that all the clones plus Sarah's daughter Kira (Skyler Wexler) are intellectual property of Leekie's organisation. Upon learning that, Sarah rushes to Siobhan's place, only to find it trashed, and both Siobhan and Kira gone ...

A fitting season finale for sure that does answer some questions, leaves others open, ends on a cliffhanger and certainly whets one's appetite for more. And it's again an episode that also has a story arc of its own while contributing to the bigger picture, making this one (as most of the season) a pretty cool watch.

review © by Mike Haberfelner

 

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