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Persepolis

France/USA 2007
produced by
Xavier Rigault, Marc-Antoine Robert, Marc Jousset (executive), Kathleen Kennedy (executive) for 2.4.7. Films, Kennedy/Marshall Company, French Connection Animations, Diaphana Films
directed by Vincent Paronnaud, Marjane Satrapi
screenplay by Marjane Satrapi, Vincent Paronnaud, based on the graphic novel by Marjane Satrapi, music by Olivier Bernet

animation

review by
Mike Haberfelner

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Iran 1978: The country is still gouverned by the Shah, who is of course a ruthless dictator who sends those who oppose him to jail, but politics aside, the society is still rather liberal and pro-Western. Young Marjane is but a kid at that time, but she loves Bruce Lee and adidas shoes. Several of her relatives however are political prisoners, who are only freed when the Shah is overthrown. One of these is Anush, Marjane's uncle whom she now only meets for the first time, but who completely fascinates the girl, and she readily accepts his Communist ideals, even if she's far too young to really understand them. The though, the Islamic Revolution takes place, and all of those who were released when the Shah was overthrown are now put back into prison (where they very often die) by the Revolutionary Guards. Worse yet, women are robbed of all their rights, including their right, it seems, to think for themselves. And the possession of alcohol is strictly forbidden. Worse yet, Iraqi dictator Saddam Hussein decides this is the time to attack the Iran, and the country, drained of much of its manpower due to the Islamic cleansing, is thrown into turmoil.

In this atmosphere, caught between Islamism and war, Marjane, a teenager who likes nothing better than to listen to tapes of the hard rock band Iron Maiden, dares to speak out against the revolution ... and immediately gets into enough trouble that her parents - who support her free spirit - decide it's best to send her to a boarding school  in Vienna Austria.

In Vienna, Marjane has problems to integrate as an Iranian girl, first and foremost because everyone else thinks taht as an Iranian girl she has to be vastly different. So during her first few years, she has to move from place to place, and slowly she becomes a woman with the same needs as every other women ... but her first boyfriend turns out to be gay, while she catches her second boyfriend cheating on her - which makes her lose her current appartment and forces her to live on the streets - where she almost dies from bronchitis.

Recovering in the hospital, Marjane decides it might be time for her to return to her home Iran once again: The Iran-Iraq-war is now over, Ayatollah Khomeini, leader of the Islamic Revolution has just died, and the country is supposed to open up again. Back in Iran, Marjane is faced with a different truth: The Revolutionary Guards are still watching over the private lives of citizens, alcohol is still strictly forbidden (so much so that people rather die than getting caught for it), and women have even less rights than ever before. Still, Marjane, whose free spirit is mainly kept alive by her grandma, falls in love with a man, and after they can hardly see each other because of the strict laws, she marries him ... only to find out he's a complete chauvinist asshole. Reluctantly she divorces him, only to soon get into conflict with the law again ... which finally makes her decide to leave her home for France for good ...

 

In writing, Persepolis might sound like an epic drama weighed down by the political message it tries to carry ... but quite the contrary: Despite its graveness, and even despite the fact that it is based on writer/co-director Marjane Satrapi's own autobiography,  (which is anything but a comedy) the film is amazingly lightweight (not to be confused with air-headed) and always keeps its ironic distance to the proceedings without of course ridiculing them. Add to that an imaginative direction and exceedingly nice character and background designs and you have one piece of amazingly entertaining animation.

Totally recommended.

 

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

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special appearances by
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directed by
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written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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