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Piano Man

South Korea 1996
produced by
Kim Hyeong-jun for Hanmaek Movies
directed by Yu San-wook
starring Lee Seung-yeon, Choi Min-su, Hong Kyoung-in, Park Cheol, Kim Jeong-suk, Shin Seong-ho, Seo Hak, Son Hyeon-ju, Lee Seung-hwan, Kim Tae-yeong
written by Heo Jae-ho, Yu Sang-wook, music by Nam Baek-sang

review by
Mike Haberfelner

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The Piano Man (Choi Min-su) is a particularly ruthless serialkiller, who often tortures his victims in a particularly ruthless way, like ripping their eyes out when they are still alive and sewing their mouth shut with piano wire. But he sees the whole thing only as a game, and he often announces his next kills to detective Song Mi-ran (Lee Seung-yeon), the only person he thinks worthy to even compete with him - even though he is always confident he is a step or two ahead of her ... and repeatedly he succeeds in making a fool of the police, for example when he kills a key witness right in front of their very eyes when he sets himself on fire wearing a protective suit and ultimately uses himself as a human fireball, burning the man to a cinder.

Besides Song Mi-ran, Jinwoo (Hong Kyoung-in), the son of down-and-out alcoholic cop Yang (Park Cheol), also tries to get a lead on the Piano Man, using a combination of information from the internet (not as common in 1996 as it is nowadays), from true crime magazines and from crime fiction, much to the dismay of his father who wants his son to do anything but follow his footsteps ... and Jiwoon is actually getting close enough to the Piano Man to almost get killed.

The finale: The Piano Man has captured another girl, jazz singer Kay, who actually once was his girlfriend, and openly threatens to kill her, but leaves a trail for Song Mi-ran that is easy for her to pick up ... but that's of course a trap, and soon it turns out that the next victim of the Piano Man might actually be her - but with their combined forces, Kay and Song Mi-ran ultimately manage to defeat the Piano Man ...

 

There are some nice ideas in this film ... but ultimately the whole thing is way too convoluted to actually work, it simply suffers from an overload of subplots and isolated setpieces that all distract from the story rather than contribute to it while some key elements of the story seem to be actually left out or (as with the almost death of Jiwoon) told in such an unnecessarily confusing way one has no idea what has happened. As for the gore scenes: The film seems to be awfully indecisive about what to show and what not, so while the camera shows some gruesome details full-on while it timidly fades away from others - with no apparent patterns. And the characters ? Detective Song Mi-ran stays pale throughout, alcoholic detective Yang seems interesting at first but is then left out of most of the story, Jiwoon is the typical obnoxious kid investigator that seems to be a bit out of place in a gruesome film like this ... and the Piano Man himself is nothing but a walking clichém, with no real persona of his own.

As a whole, the film is a waste of time rather than anything else.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
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