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The Power of the Dog

UK / Canada / Australia / New Zealand 2021
produced by
Jane Campion, Iain Canning, Roger Frappier, Tanya Seghatchian, Emile Sherman, Rose Garnett (executive), Simon Gillis (executive), John Woodward (executive) for See-Saw Films, Bad Girl Creek, Brightstar, Max Films International, BBC, Cross City Films, New Zealand Film Commission/Netflix
directed by Jane Campion
starring Benedict Cumberbatch, Kirsten Dunst, Kodi Smit-McPhee, Jesse Plemons, Geneviève Lemon, Kenneth Radley, Sean Keenan, George Mason, Ramontay McConnell, David Denis, Cohen Holloway, Max Mata, Josh Owen, Alistair Sewell, Eddie Campbell, Alice Englert, Bryony Skillington, Jacque Drew, Yvette Parsons, Aislinn Furlong, Daniel Cleary, Richard Falkner, Tatum Warren-Ngata, Yvette Reid, Alice May Connolly, Stephen Lovatt, Stephen Bain, Ella Hope-Higginson, Piimio Mei, Edith Poor, Vadim Ledogorov, Thomasin McKenzie, Julie Forsyth, Peter Carroll, Frances Conroy, Alison Bruce, Keith Carradine, Karl Willetts, David T. Lim, Adam Beach, Maeson Stone Skuggedal, Ian Harcourt
screenplay by Jane Campion, based on the novel by Thomas Savage, music by Jonny Greenwood

review by
Mike Haberfelner

Montana 1925: When driving their cattle to the market, rancher brothers Phil (Benedict Cumberbatch) and George (Jesse Plemons) regularly stop at Rose's (Kirsten Dunst) roadhouse, where Rose's somewhat effeminate, teenaged son Peter (Kodi Smith-McPhee) regularly becomes the butt of Phil's jokes, as the boy's attitude doesn't fit Phil's very old-fashioned picture of masculinity, something he oozes from every pore of his body. Phil's jokes are so cruel at times that they make Rose cry. Phil's brother George on the other hand has taken to Rose, and eventually asks for her hand in marriage, which she gladly accepts. This means though for Rose and Peter to Phil and George's ranch - the biggest in the area for sure, and a place equipped with all the modern amenities. Thing is, Phil has never approved of George's marriage, and now that he's forced to accept it, he does his best to make Rose and Peter's life hell. Rose soon takes to drinking, so much so that she becomes a full-blown alcoholic. Peter on the other hand eventually finds Phil's secret place, somewhere deep in the woods, somewhere where he lives out his homoerotic fantasies that are in harsh contrast to his public image. When Phil notices Peter has found him out, he drastically changes his attitude towards the boy and tries the hardest to become his friend - and after a time it seems he's even drawn to him. But is Peter's response in kind really honest, or is he planning something more sinister?

 

In regards to imagery, The Power of the Dog sure is reminiscent to epic westerns of old, but when it comes to storyline, the film's anything but epic, a rather intimate and slowburn character study with elements of culture clash and tradition vs progress elegantly woven into the script, something that's also reflected in the direction that has its epic imagery every now and again juxtaposed with pictures you'd not expect to find in westerns, often with overt homoerotic subtexts. And thanks to an uniformly strong cast, the story really comes to life. That said, true, it's slowburn and often not all that much seems to happen, but it's worth one's patience.

 

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review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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