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Martin (Hans von Borsody), owner of a rural restaurant that makes next
to no money, has hired a new waitress, Irene (Ini Assmann), a girl from
the city with a background in tourism, to help his place making money
again. And soon enough, Irene has all the men of town lusting after her
with her good looks and her very open attitude, and night after night,
Martin's place is packed with people, men for the most part. Much to the
dismay of Martin, who has fallen in love with Irene at first sight and is
now jealous of all the attention she is getting, and to the dismay of all
the wives in the village, who fear to lose their (middle-aged to old)
husbands to young Irene. They are led by old spinster Kriszenzia
(Annemarie Wendl), who has always been a moral cruzader. Irene however is
too smart a girl to not know how to react to the local women, and when
they figure out they can't battle her, the women think of another way to
pay back their husbands - by visiting an all nude sauna with men from the
next village ... In an only vaguely related story, rich urbanite Max
Sonntaler (Peter Garden) becomes the new owner of a farm and has sex with
pretty much everyone around, including his farmhand Annemarie (Anke
Syring), and Josefin (Dorit Dom), the farmhand of his other farmhand Sepp
(Hans Zander). Despite everything though, Annemarie and Sepp do everything
to keep him from selling the farm and make him stay here permanently. Eventually,
the film ends in four weddings, Martin marries Irene, Sepp gets his
Josefin, Sonntaler his farmhand Annemarie, and there's even a man in store
for spinster Kriszenzia, who at the very end is revealed to have had a son
out of wedlock years ago she hid away from everyone. Cut actress
Christine Schuberth can be seen as the mayor's (Beppo Brehm) promiscuous
daughter. An early German sex comedy that can't deny it's
heimatfilm roots (heimatfilm = German language rural-themed dramas and/or
comedies, very often set in the alps) - and while these erotic heimatfilms
were not very good in the best of circumstances, Pudelnackt in
Oberbayern is not one of the better ones, it's just a long series of
Bavarian clichés, interrupted by bad and/or badly conceived jokes,
carried by a plotline (or actually two) that hardly create any interest
with the audience. Add to this a mostly unattractive cast (apart from some
of the female leads) and a directorial effort that's somewhere below
functional, and you are left with very little. And on top of this, for a
movie whose title translates as Stark Naked in Upper Bavaria,
there's extremely little nudity involved, just a few flashes of boobs and
that's about that ... Even if you are into German erotica from the late
1960's, there's no reason for watching this one.
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