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Reflejos

Spain 2001
produced by
José Luis Escolar for Ensueno Films, Via Interactiva, Calle Cruzada & Via Digital, Antena 3
directed by Miguel Ángel Vivas
starring Georges Corraface, Ana Fernández, Emilio Gutiérrez Caba, Alberto Jiménez, Magui Mira, Carlos Caniowski, Ana Otero
written by Miguel Ángel Vivas, music by Luis Miguel Cobo

review by
Mike Haberfelner

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A little baby boy is killed, the son of Tony (Carlos Caniowski), an ex-cop, & the best friend & erstwhile partner of Jaime (Georges Corraface), who is now in charge of the case - much to the dismay of Alcazar (Alberto Jiménez), his assistant who thinks he should have been given the case & who doesn't like Jaime one bit.

Soon Jaime seems to break up, when he links the murder of the boy (& several others that follow) to Lazaro (Emilio Guttiérez Caba), whom he had once arresxted for killing children, but his lawyer could clear him of the charges when it turned out that Lazaro had an affair with Jaime's wife Julia (Ana Fernández), & now everybody in the force & even the press thinks Jaime has somehow lost his head over Lazaro & now tries desperately to put some blame on him.

Later, the killer even manages to enter & leave Jaime's appartment unseen but leave behind the heart of one of his victims ... in the meantime Jaime has a breakdown in front of a tv-camera & violently beats up a reporter - whom he formerly had an affair with ...

Only Alcazar it seems slowly starts to see Jaime's line of reasoning, beats Lazaro's secret adress ouzt of his lawyer & slips it to Jaime ... who rushes there & finds Lazaro leaning over the dead body of a child - as it turns out Lazaro's own daughter ...

Now everyone on the force is pretty sure that Lazaro is indeed the killer, but to not risk another slipup, Jaime - to his dismay - is resigned from the case. During questioning though - which is conducted by Alcazar - Lazaro kills his own lawyer, who has given away his adress - which is why (he claims) his daughter ws killed. Now, Lazaro is indeed a killer, but is he the killer ? Probably not, because he really seemed concerned about the death of his daughter.

But while Alcazar continues investigations, that soon lead to Jaime as one of the key suspects, Tony, father of the dead boy, persuades his friend Jaime to steal Lazaro from police custody (it shouldn't be too hard for an homicide-detective), to have their own little revenge ...

Only when Jaime has already pointed his gun at Lazaro does he realize what he is doing ... but now, Tony is revealed as having been the real killer all along, who has now kidnapped Jaime's daughter to force him to kill Lazaro - because LAzaro would serve him much better dead ... & of course, Jaime makes a tailormade culrpit too, should his plan with Lazaro not work. & to put an emphasis on his evil scheme, he covers his body with Jaime's daughter & threatens to drop her off a building ... & indeed, he can force jaime to kill Lazaro, just when the police, headed by Alcazar, arrives to arrest Jaime. Everything is over, & Alcazar can persuade Tony to give hm the kid ... when Jaime pulls the gun of one of the cops who are leading him away, aims at Tony and ...

 

Competently crafted thriller that has a quite interesting plot too (even if the killer becomes obvious way too soon), but somehow the spark is missing to really breath life into the film, somehow it after every good idea retreats to cop-genre routines. Still, it's watchable.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

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special appearances by
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directed by
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written by
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produced by
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