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Son Savasci

The Last Warrior
Holy Sword

Turkey 1982
produced by
Cüneyt Arkin for Birinci Ticaretim
directed by Cetin Inanc
starring Cüneyt Arkin, Orhan Günsiray, Füsun Ucar, Nejat Gürcen, Nejat Özbek, Kemal Özkan, Nihat Yigit, Hüseyin Peyda
written by Cüneyt Arkin

review by
Mike Haberfelner

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A ninja (Nihat Igit) is killing people in Germany, seemingly without rhyme or reason - and to track him down, German police figure they have to hire Turkish upsercop Murat (Cüneyt Arkin), who's supposed to be the only one able to take a ninja down, as he has served in the Korean War and has there learned "the way of the ninja" - plus, apparently only Turks have the determination to take down ninjas (don't ask).

Once in Germany, Murat is quick to come up with this gem of wisdom: A ninja needs two things, a dojo, and woment to torture. On his way to the best dojo in the country, Arkin gets into a wild car chase, and arrives at the place just too late to save a random karateka to be killed by the ninja, who gets away of course. The same happens at a whorehouse later on.

Murat and his partners follow more leads, but more and more lead to a German gangster named Hans instead of the ninja. Hans seems to be quite desperate to get the ninja off his back though, so he joins forces with the police and helps Murat set up a showdown with the ninja. However, back in Turkey, Murat's girlfriend (Füsun Ucar) is killed, and the trail leads to Hans. So when Murat, carrying a special sword, walks into the finale, he knows he has been set up by Hans and enters what's supposed to be a death trap - but for some reason the ninja takes out all of Hans' men and ultimately Hans himself, and then he and Murat fight ... well, and Murat wins, because not even a ninja can beat a Turkish cop!!!

 

Son Savasci is typical 1980s macho action cinema, where the guys are tough and chick magnets, the girls are sexy and little else, the line between good and evil is clearly drawn, and the emphasis is always on action over anything else ... and in that way, Son Savasci might even be more honest than most action movies, as the plot is only paper thin, there are no big diversions from the action, like giving the villains and heroes actual motives, or building up character arks. Essentially, the movie stumbles from one action scene into the next (including quite a few car chases reportedly lifted from the American movie Cannonball from 1976), with the fight scenes a bit on the crude side, which adds realism to some moments, but overall makes them seem drawn out.

All that said, the film is actually good fun. Not a great movie, rather grade B action trash, but fast moving enough to be engaging still, and with quite a few "so bad it's good"-instants on top of it that trash movie afficionados like myself will at least enjoy some of this.

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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love and death and everything in between,
Tales to Chill
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
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from the post-apocalyptic
to the weirdly romantic,
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screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
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Out now from
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