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A Sound of Thunder

USA / Germany / Czech Republic 2005
produced by
Howard Baldwin, Karin Elise Baldwin, Andrew Stevens, Moshe Diamant, Romana Ciserova (executive), Breck Eisner (executive), John Hardy (executive), William J.Immerman (executive), Rick Nathanson (executive), Jörg Westerkamp (executive) for Franchise Pictures, ApolloMedia, QI Quality International, Crusader Entertainment
directed by Peter Hyams
starring Edward Burns, Catherine McCormack, Ben Kingsley, Jemima Rooper, David Oyelowo, August Zirner, William Armstrong, Corey Johnson, Armin Rohde, Heike Makatsch, Wilfried Hochholdinger, Andrew Blanchard, Nikita Lespinasse, Alvin Van Der Kuech
screen story by Thomas Dean Donnelly, Joshua Oppenheimer, screenplay by Thomas Dean Donnelly, Joshua Oppenheimer, George Proirier, based on a short story by Ray Bradbury, music by Nick Glennie-Smith, director of photography: Peter Hyams

review by
Mike Haberfelner

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2055: Time travel has been invented. But who owns the only working time machine ? Charles Hatton (Ben Kingsley), a rich and ruthless businessman of course, who offers rich people travels back to 65 million years ago to kill a dinosaur. The theory behind it is that if you kill the dinosaur only minutes before it dies anyway, like in a volcano eruption, that wouldn't alter history, and if noone leaves anything behind in the past or brings anything back then everything's fine - an arguable theory at best, but it makes Hatton lots of money, and to quiet his conscience, he has hired a top scientist, Travis Ryer (Edward Burns), to be on his team. Only Sonia Rand (Catherine McCormack), the original inventor of the time machine, is shocked about what her invention is used for and predicts desaster to strike ... and despite security protocols, desaster of course strikes when one of Hatton's clients steps onto and kills a butterfly back in prehistory ... and suddenly the present is starting to change.

Of course, now Ryer and Sonia have to team up to find out what actually happened and how to set it right, while time changes in waves (waves that actually hurl people though the air and stuff), first only simple creatures are concerned, but since the death of this butterfly actually fucked up evolution, it's only a matter of time until higher animals - like humans - are concerned as well.

Soon enough, the city has turned into a jungle thanks to the timewaves, and a bunch of weird monsters have come out of seemingly nowhere ... and now Ryer, Sonia and company have to chase through town to figure out what has actually happened and how to set it right, and once they have figured everything out, they still have to cross town to get to a timemachine, and in the process, all of their friends are killed, and they are, among other things, attacked by a giant seasnake in the subway tunnels (really). Of course, they finally make it, and Ryer is sent back to the past just in time, only seconds before the last of the timewaves transforms Sonia into a grotesque ape-like being (interestingly enough, the timewave though leaves all the buildings standing, even though the humans who built them were wiped out). Ryer does what he has to do, he keeps the guy from stepping on the butterfly, has just enough time to tell his assistant (Jemima Rooper) there is a glitch in the system, then he disappears for good ... because now that time has changed back, the Ryer who saved time from being changed can no longer exist ...

However, Ryer's assistant gives Ryer's message to the other Ryer, and he prepares to shut down Hatton's shop with the help of Sonia - whom this Ryer hardly knows at all ...

 

Silly, silly, silly. The premise of this film - if you change only the tiniest bit in earth's prehistory past, you might destroy the whole evolution and man might never come into being - is intelligent and interesting from a science fiction point of view. The film built on that premise though is anything but intelligent and interesting, it's a mindless desaster movie that borrows freely from similar sci-fi desasters as well as the equally silly Jurassic Park, and urges everyone only remotely interested in time travel theory to leave his brains at the door. The idea of timewaves that cange history just one piece at a time is simply ridiculous, and when they start throwing around people and things it just gets stupid. And when all the buildings are left standing after humankind has been wiped out, you just get the feeling that someone hasn't done his homework. Plus, why do all the creatures turn into monsters once evolution is altered ? Besides the story shortcomings, the film also suffers from rather terrible CGI-effects, ranging from unconvincing dinosaurs to unimpressive futuristic cars travelling the streets and wide range shots of a futuristic city - here less would definitely have been more.

That all said, I have to admit A Sound of Thunder is not the worst of Hollywood's current crop of sci-fi-B-pictures with an A-budget, especially director Roland Emnmerich has made - with more or less similar themed films like Independence Day (1996) or The Day After Tomorrow (2004) - movies that are far more or an insult to the thinking man and sci-fi-fan alike. A Sound of Thunder at least lacks the embarassing pathos of Emmerich's films, it's just a so-so sci-fi no-brainer with a few dinos and monsters and a few ok action scenes, nothing less, but certainly nothing more.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
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the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
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Out now from
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