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Der Springteufel

West Germany 1974
produced by
Karlhans Reuss for Telefilm Saar/Saarländischer Rundfunk
directed by Heinz Schirk
starring Arno Assmann, Dieter Hallervorden, Hanna Seiffert, Klaus Dieter Söder, Manfred Böhm, Hans Wevernick, Hans Diener
written by Derrick Sherwin

featurette

review by
Mike Haberfelner

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Just to pass the time during a long drive, a man (Arno Assmann) who's quite well-to-do judging from his car, his suit, his manners, decides to give a lift to a random hitchhiker (Dieter Hallervorden) - and after a bit of harmless conversation, things get a bit awkward between the two as the hitchhiker insists the man is a rich slacker who hasn't spent a day of honest work in his entire life - which he sees only confirmed by the man's statement that his "job is difficult to explain" -, the man thinks the hitchhiker is one of those folks who chronically feel socially disadvantaged but do nothing to better themselves. Having fallen out, the man wants to kick out the hitchhiker right then and there, when the hitchhiker pulls a gun on him, and forces the man to come to a greasy backwoods restaurant with him, where the man seems and behaves so out of place that the hitchhiker has no problems convincing everyone the man's just a loonie escaped from the loonie bin.

As the drive on, it becomes clear that the hitchhiker gradually assumes the man's identity and forces the man to assume his - also by way of telling him from his past, how he was in the loonie bin and killed a warden and the like. He even forces the man to change cloths with him ... and ultimately the hitchhiker even calls the police to pick up the man who he claims to be an escaped loonie. While he was away phoning, the man has grabbed his gun and now wants to shoot the hitchhiker, to only now learn it's nothing but a toy gun. He then runs away in panic, only to be picked up by the police the hitchhiker has called, and since he's carrying a gun and wearing shabby clothes, the policemen assume him to be the escaped loonie, and the hitchhiker in his suit and with his good manners to be a respectable well-to-do citizen - and thus they take the man with them and let the hitchhiker loose onto the world again ...

 

The TV-movie Der Springteufel's main attraction was that it showed by then reknowned German slapstick comedian Dieter Hallervorden in a more serious role - which was ironically also the reason it was hardly repeated on TV in later years, probably due to Hallervorden's breakthrough slapstick series Nonstop Nonsens that ran from 1975 to 1980. That said, mostly Hallervorden handles this more serious role quite well, but every now and again his comical persona shines through which does not go particularly well with the movie's very subtle black humour but doesn't sink the movie either - neither does the at times too stilted dialogue. What remains is a rather entertaining 54 minutes of made-for-television entertainment that's subtly and effectively directed, that makes the most of its very limited sets, and that dares to be different (maybe another/an additional explanation why the film had hardly any repeats). Not perfect to be sure, but likeable at least.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Vimeo

 

 

 

Robots and rats,
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love and death and everything in between,
Tales to Chill
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
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to the weirdly romantic,
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Tales to Chill
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the new anthology by
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