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Ten Nights in a Barroom

USA 1931
produced by
L.E. Goetz, Willis Kent for Willis Kent Productions/Roadshow Attractions
directed by William A.O'Connor
starring William Farnum, Tom Santschi, Peggy Lou Lind, Robert Frazer, Phyllis Barrington, Rosemary Theby, Thomas Jefferson, Lionel Belmore, John Darrow, Frank Leigh, Kathrin Clare Ward, Sheila Manners (= Sheila Bromley), Fern Emmett, Harry Todd, John Uppman, Daisy Belmore
screenplay by Norton S. Parker, based on the play by Edwin Waugh

review by
Mike Haberfelner

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Joe Morgan (William Farnum) is a good-natured miller with a sick daughter, Mary (Peggy Lou Lind), who just came to Simon Slade's (Tom Santschi) bar to see the new doctor, Romaine (Robert Frazer), about the girl. But Slade is only interested in business, and before long, he has invited Morgan to a drink, then another one, and before you know it, Morgan is a gaving alcoholic - while the doctor looks after his girl by the way.

Morgan now spends every day at the bar drinking and gambling, and before long he has lost his mill in a fixed up game of poker. Still, his little girl believes in him and every day, she comes to pick her dad up from the bar and drag him home.

Morgan's condition soon worsens and he becomes a regular addict to alcohol, suffering from cravings next to none, but since he has got no more money, he has become a nuisance to Slade, who just won't have him served no more. Eventually, Morgan is hit by delirium tremens, and now it's only thanks to Doc Romaine that he gets a drink (in this condition one really needs one), gets home, sobers up and learns to control his cravings ...

Only days later, the craving gets too strong again, and once again he visits Slade's bar ... but Slade doesn't want to get dragged into the affair, so he bluntly refuses him a drink - and not only that, he even throws a glass after him. But Morgan ducks, and the glass hits his little daughter, who has just come to pick him up.

After Morgan has carried the kid home and called the Doctor for help, he returns to the bar, finds Slade alone, and the two fight it out, with Morgan ultimately knocking Slade out but also - accidently - setting the bar on fire. But at least he's decent enough to drag Slade out of the burning bar ...

And this, Doctor Romaine, who has told the story in retrospect as a framing device, is why the prohibition was good for the village ...

 

Early talkie drama about the dangers of the devil alcohol. Not really subtle in story of course, and many of the actors' performances as well as teh direction as such are clearly reminiscent of silent cinema, but taken as a cheesy, exaggerating (and often unintentionally funny) moral play, this is quite watchable. And William Farnum's transformation from decent guy to drunkard to alcoholic including delirium tremens is quite good.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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a collection of short stories and mini-plays
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Tales to Chill
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