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Tokyo Densetsu: Ugomeku Machi no Kyoki

Tokyo Psycho

Japan 2004
produced by
Takeshi Kato, Shinsuke Yamazaki, Ippei Takahashi (executive), Akihiro Ito (executive) for Take Shobo
directed by Ataru Oikawa
starring Sachiko Kokubu, Masashi Taniguchi, Yuka Hayashi, Mizuho Nakamura, Seiji Chihara
screenplay by Ataru Oikawa, Noriko Tanimura, based on a short story by Yumeaki Hirayama

review by
Mike Haberfelner

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Yumiko (Sachiko Kokubu) receives weird letters, stating "I know you were born to marry me ...", which seem to be almost thretening. And then, she thinks she is followed, stalked maybe, and one day ssome meadman even rings her door ready to attack her - but runs off when she fails to open ...

Now all that would be unsettling enough, but then, at a high school reunion, she remembers a fellow student, Mikuriya, who only was in her class for one year and who wrote her a letter similar to those she has been receiving recently. And at the reunion too, she receives a box, containing her student ID. Now the madman - Mikuriya she's sure - has really come too close to home.

With her friend Mika (Yuka Hayashi), a private eye, she tries to find out more about Mikuriya, but what the two of them find out is more than unsettling: Mikuriya has killed his own parents using piano wire (some of the letters did also contain pieces of piano wire), but was never imprisoned for it because he was underage and mentally unstable. Later he went to the USA, but quite recently he returned to Japan and rented an appartment no five minutes from Yumiko's place.

The two girls decide to check out the appartment, but when they find a perverse altar dedicated to Yumiko taking up much of the living room and created of piano wire, blood and whatever else, they flee in terror ... and right outside the building, Yumiko faints.

What great luck that Osamu (Masashi Tamiguchi), the fiancé of Yumiko's friend Moe (Mizuho Nakamura) happens to pass by, and he takes the two girls to his place, where Yumiko can come back to strength ... bad thing is though that Osamu is really Mikuriya, and before long he has killed Mika - yup, with piano wire - and has threatened Yumiko ... but then he lets her escape, just for fun.

Back at her office, Yumiko tries to contact Moe, and finds out she's at the hospital, and has just found out she is pregnant from Osamu/Mikuriya. Yumiko urges Moe to come to her place right away, so she can tell her the truth about her fiancé, but what she doesn't know is that Mikuriya is in the room with Moe ...

A short time later, Moe knocks on Yumiko's door. It's only when Yumiko has already opened the door that she realizes her guest is really Mikuriya, who has skinned Moe's face and made himself a mask out of the skin to look like her.

Mikuriya brutally beats up Yumiko, then ties her up and puts her in a sleeping bag and takes her to the beach, where he continues to mistreat her. They both end up in the sea, where Mikuriya tries to force Yumiko to marry him. She refuses though, so he tries to drown her and himself both, which should say something about the extent of his madness at this time. And in the end, Mikuriya has only succeeded in killing himself ...

 

Cheaply produced but effective and nasty little thriller that doesn't go for (or need) big special effects, instead spends much of its time creating an atmosphere of unease which only eventually finds an outlet in the character of the psycho himself. The film's deliberate slow pace only helps setting up the mood, as does the almost sterile anonymity of most of the sets. Really nice.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
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