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Ultraman

Japan 2004
produced by
Kiyoshi Suzuki for Tsuburaya Productions, Shochiku
directed by Kazuya Konaka
starring Tetsuya Bessho, Kyoko Toyama, Kenya Osumi, Yuuki Nae, Ryohei Hirota
written by Keiichi Hasegawa, music by Tak Matsumoto, special effects by Yuichi Kikuchi

Ultraman

review by
Mike Haberfelner

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In mid flight, fighter pilot Maki's (Tetsuya Bessho) jet plane crashes with a meteor. Surprisingly enough, he comes out of the crash not only alive but unharmed safe for a few bruises here and there. And suddenly, some organisation within the military led by scientist Sara Mizuhara (Kyoko Toyama) shows an unhealthy interest in him ... up to the point where they kidnap him.

As a matter of fact, another soldier, submarine captain Udo (Kenya Osumi) had a similar accident, also survived, but after a while turned into a monster, a monster that is able to shift its shape from gruesome to even more gruesome, who can absorb characteristics of any other lifeform, who all the time grows in size, and who's simply evil ... but what's worse, the monster - from now on dubbed The One - has escaped. (Oh by the way, need I mention that Udo, the guy who became the One, was Sara Mizuhara's fiancé.)

Now the military figures that the same doesn't happen again with Maki, why not simply kill him. But before they can kill Maki, the One comes back for a fight, and spontaneously, Maki turns into superhero Ultraman (that's what the meteor has done to him), and saves everybody's life.

The story takes its usual course, with the One growing ever bigger and Maki/Ultraman (who can also grow att will) being the only defense of Japan against the monster, but the military distrusts him - all except Sara Mizuhara of course. But in the end, a giant Ultraman can defeat a giant One, and destroy him for good.

 

Now one would think the old-fashioned Ultraman from the 1960's battling a monster in a 2004-film, that would be (sonscious) camp galore, just one big hoot to watch from beginning to end.

Unfortunately no such luck. For some reason this film is devoid of all and any irony, the special effects are a competent mix of CGI and good old men in monstersuits, and at the same time dead-boring, and any attempt to camp things up was dilligently avoided. Instead a cheesy story about Maki's terminally ill son was tagged on, and Ultraman's origin story is given much room (much more than it needed), meaning that in the first third (or the first half hour) of the movie, Ultraman does not show up at all.

Of course, a giant monster destroying a city will always charm montermovie-fans like myself, but to save the whole movie, that's too little too late.

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
Amazon!!!