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El Vampiro

The Vampire

Mexico 1957
produced by
Abel Salazar for Cinematográfica ABSA
directed by Fernando Mendez
starring Abel Salazar, Germán Robles, Ariadna Welter, Carmen Montejo, José Luis Jiménez, Mercedes Soler, Alicia Montoya, José Chávez, Julio Daneri, Amado Zumaya, Guillermo Álvarez Bianchi
written by Ramón Obón, music by Gustavo César Carrión

review by
Mike Haberfelner

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Somewhere in rural Mexico: In the company of salesman Enrique (Abel Salazar), Marta (Ariadna Welter) arrives at the Sycamores, the estate where she spent her childhood, to look after her terminally ill aunt María Teresa (Alicia Montoya), only to learn that she has just died and was already buried earlier that day. ... but at least María Teresa's brother Emilio (José Luis Jiménez) thinks there's something fishy about her death, that's why he asked for Enrique's assistance, who is not a salesman at all but a doctor in a salesman's disguise to investigate.

Of course there is really something wrong with María Teresa's death, as the neighbour of the Sycamores is Count Duval (Germán Robles), and he is a vampire. And his allie within the Sycamores is María Teresa's sister Eloisa (Carmen Montejo), also a vampire. Count Duval desperately wants to buy the Sycamores, because his brother (also a vampire) was buried there but he has found a way to revive him. Eloisa was willing to sell, but both Emilio and María Teresa refused ... but now María Teresa is dead, and Eloisa thinks it would be easy to persuade Marta ... but no such luck, Marta is not willijng to sell the place of her childhood. Plus Marta begins to slowly suspect that her aunt Eloisa is a vampire (she has no reflection in the mirror you see). So at night, Count Duval arrives at Marta's bedside and sucks her blood.

The next day, Marta feels worse than ever, and it's not made any better when she sees her dead aunt walking about. Now Enrique gets interested in the case and starts a thorough investigation - but too late, that very same evening, Count Duval and Eloisa poison Marta's drink, and she collapses and dies. It's only thanks to servant Anselmo (José Chávez) that she is not buried alive, because during the wake he sees her fingers move ever so slightly ...

Now uncle Emilio gets curious, because Marta's death resembled that of María Teresa to the t, so they open her tomb ... and find it empty. Anselmo now confesses that María Teresa isn't really dead but was also poisoned by Duval and Eloisa - which she had foreseen so she asked her trusted servant to free her from her tomb and hide her. María Teresa is found and welcomed back to the living, but for some reason everybody has forgotten about Marta, who sleeps in a room upstairs - unguarded enough for Duval to stop by and kidnap her ...

Enrique follows Duval to his place, and the two men fight it out next to unconscious Marta. At first cockcrow though, the Count runs off, and Enrique can't follow since the room in which Marta lies unconcsious has since caught fire and he has to save her ... plus, the Count's servants fight it out with him.

The Count gets into his coffin safely before sunrise, but María Teresa has followed him, and eventually she opens his coffin and stakes him to death. At the same time, Eloisa falls to dust, and the Count's servants end their resistance.

Marta of course can be saved and in the end, she and Enrique (hardly surprising) become a couple.

 

Admittedly, El Vampiro is not the most imaginative or inventive vampire movie, it is rather vastly reminiscent of US-American horror B's of the 1930's and 40's. That said however, El Vampiro is also good entertainment, a charming old-fashioned horror pic full of pulp mainstays like secret panels and passageways, rooms covered in cobweb, premature burials and of course your typical old world-style vampire.

Totally likeable in fact !

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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