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The Visit

USA 2015
produced by
M. Night Shyamalan, Marc Bienstock, Jason Blum, Ashwin Rajan (executive), Steven Schneider (executive) for Blinding Edge Pictures, Blumhouse
directed by M. Night Shyamalan
starring Olivia DeJonge, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Kathryn Hahn, Celia Keenan-Bolger, Samuel Stricklen, Patch Darragh, Jorge Cordova, Steve Annan, Benjamin Kanes, Ocean James, Seamus Moroney
written by M. Night Shyamalan

review by
Mike Haberfelner



Mom (Kathryn Hahn) has been a wreck ever since dad (Benjamin Kanes) left her for a waitress, so when she finds new romance, her kids, 15 year old Becca (Olivia DeJonge) and 13 year old Tyler (Ed Oxenbould) encourage her to go on a week-long cruise with her new lover (Jorge Cordova) and agree to spend some time with their grandparents (Deanna Dunagan, Peter McRobbie) they've never even met and mum hasn't spoken to since she left home age 18. What's more, the kids plan to make a little documentary about their grandparents and mum's former hometown to surprise her and maybe kickstart a reconciliation, too.

In regards to the grandparents, at first they seem like the nicest of people, and seem to be really excited to meet their grandkids - but soon enough they show their quirks, which at first they explain away as effects of old age and maybe dementia. Only they get weirder by the hour, and dangerously so, like granddad violently attacking a passer-by for no apparent reason, and grandma trying to enter the kids' room carrying a big knife to do who-knows-what - and it's only thanks to the kids having locked themselves in that we never find out. Eventually, the kids grow worried enough to call their mum, begging her to pick them up and take them back home - which mum at first dismisses as an over-reaction on behalf of the children ... until the kids show her a glimpse of the grandparents, and mum realizing these two people are not her parents - but who are they then, and what do they want with the children?

 

Story has it that after the financial failures of his big budget movies The Last Airbender and After Earth, director M. Night Shyamalan took the fee he got for the latter to make a small indie in an effort to regain artistic control over his work. Now it's said that this film cost $5 million, tiny by Hollywood starndards - but to be completely honest, if that was indeed the budget, very little of it shows on screen, as The Visit is a very budget-conscious film, what with its limitations location-wise, its lack of name talent of a mere handful speaking roles, and its money-saving found footage approach. But even if it should have cost all of 5 million or thereabouts, the film was a winner, making a total of just shy of $100 million at the worldwide box office, home video release not factored in yet.

 

As for the film itself, it isn't exactly a masterpiece, as much of its story is far-fetched, with quite a few false clues that eventually go nowhere or are at least never fully explored, and the found footage approach, even if well-handled in this, has grown incredibly old by 2015 - but there are a few very find and creepy scenes in this one, on top of a general feeling of unease, and the plottwist into the third act certainly comes out of nowhere and provides a good fright. In all, nothing special, but very well-made (especially taking into account its approach) and an entertaining genre ride.

 

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review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
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love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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