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Vudú Sangriento
Voodoo Black Exorcist

Spain 1974
produced by
José Antonio Pérez Giner for Mingyar
directed by Manuel Caño
starring Aldo Sambrell, Tanyeka Stadler, Alexander Abrahan, Fernando Sancho, Alfredo Mayo, Eva León, Ricardo Rodríguez, Enrique del Río, María Antonia del Río, Kess Bridge, Louis Marin, Antony Houss, Fernando Hilbeck, Julio Peña
written by Santiago Moncada, music byFernando García Morcillo

review by
Mike Haberfelner

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A thousand years ago, somewhere in Africa, prince Batanego (Aldo Sambrell in blackface) was buried alive for falling in love with the wrong woman, Kenya (Tanyeka Stadler) - who was decapitated in the process. 300 years ago, his sarcophagus was found with his mummified body inside, and had since been exhibited in many a museum. But now Dr Kessling (Alfredo Mayo) has gotten hold of the sarcophagus and mummy, and for some reason brings them back to their country of origin on a luxury cruiseship ... and Gatanebo is brought to life again. Conveniently, he finds the reincarnations of some of the people who wronged him among the ship crew and executes them, and he also finds Kessling's assistant/lover Sylvia (Eva León) is Kenya reincarnated. So he assumes the identity of a eminent expert on voodooism to be near her. Kessling of course sees through his charade, but Batanego's unique inside knowledge of voodoo convince him to play part in his little ruse, and he even tries to lure the revived prince back into his sarcophagus and seal it shut - not knowing that he has long taken over the mind of Kessling's assistant, who promptly frees him again, and then Batanega grabs Sylvia and carries her to the cave he was back then executed with him. Thing is, an eccentric local policeman (Fernando Sancho) has long seen through the case, but without evidence and with all the unbelievable stuff going on, he was forced to wait until something like the kidnapping of Sylvia happens to force Kessling to show his hand.

In the end, Batanego the mummy is burned to cinders with a flamethrower, but so is Sylvia.

 

A film first and foremost for lovers of Eurotrash: It's cheaply made, not all that thought through, no signs of political correctness, cardboard characters, bad comic reliefs, and not all the acting is above wooden ... but it's also a tad on the sleazy side, wades knee-deep in pulp mainstays (being especially reminiscent of 1932's The Mummy starring Boris Karloff), and its narrative carelessness also shows a certain love for fantastic stories. Now most people might not appreciate this, and even if there are far better films even in this category out there, this is pretty much a feature of the so-bad-it's-good variety.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
Amazon!!!