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Tsumatachi no Seitaiken: Otto no Me no Maede

Wife's Sexual Fantasy: Before Husband's Eyes

Japan 1980
directed by Masaru Konuma
starring Yuki Kazamatsuri, Rica Takahara, Yoshiko Sasaki, Hiroshi Unayama, Ren Seido, Ryoji Kusanagi, Hidemi Sato, Yusuke Kawashima, Toru Kitamura, Yuji Yamamoto
written by Kazuo Komizu (= Gaira), music by Hachiro Kai

review by
Mike Haberfelner

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Mr Sakamoto seems to have everything, a good (and well-paying) job, a beautiful wife, Saori, a house on the beach and a yacht, and enough money on the side to afford himself a prostitute, Yuka, exclusively for himself on the side. However, one day when he visits Yuka, he finds her murdered, and the killers are still on the scene to make a picture of him leaning over the dead body as if ... you know. Then of course, there are his fingerprints all over the place, and the killers also have home movies of him shagging Yuka. But the killers are no inhuman animals (?), they agree to let him off the hook for a price, $100,000 - which is of course way more than he owns ... but he manages to cut the price in half by offering them Saori for a gangrape in exchange ...

When Sakamoto returns home, he finds Saori raped - but he manages to stop her from calling the police and actually make her feel guilty for what had happened.

The next day, Saori meets a guy she pays handsomely for having broken up her affair between her husband and Yuka. It takes her a bit to recognize him as one of her rapists from the night before (in her defense, he was masked). He admits to it, but tells her her husband has invited him to - and shows her the key to her house on the beach as proof. He promises her to get back at her husband, but only in exchange for more sex. Saori agrees, and they have sex on her yacht, but when the boatboy witnesses it, he throws the blackmailer overboard. Saori throws the key to her house the blackmailer has returned to her overboard and asks the boatboy to fetch it - in exchange for sex, knowing he has always longed for her. He jumps overboard, and Saori leaves both of them to their fate.

That night the boatboy returns with the key, and Saori asks him to have sex with her right in front of her sleeping husband, but when Sakamoto awakens, he brutally throws out the boatboy, with Saori laughing at him. The next day, Sakamoto stumbles into his prostitute Yuka again, very much alive after all. He follows her home and finds her making love to her pimp ... who turns out to be Sakamoto's blackmailer and his wife's rapist. By now everything seems to be a bit sexual game of chess, and it seems Saori has beaten Sakamoto. So everything is ready for some make-up sex - but it seems both of them have forgotten a pawn in the game who has reached the other end of the board and turned queen: The boatboy, who is still in possession of their housekey, and his hurt bride has made him turn it over to a gang of young and horny joggers always lusting after Saori - and now that they got the key, they of course enter her house and gangrape her right in front of her husband ... who actually gets turned on by all of this, and seeing him getting turned on actually turns Saori on as well.

In the end, the boatboy is the loser in the game, because he really cared for Saori, and seeing her being gangraped broke his heart.

And Saori and Sakamoto?

They have found real pleasure in being raped/watching the other being raped, and now start looking for their next victim in their game of sexual chess ...

 

You might not agree with the theme of this movie ("rape is bad, but ..."), and I know I don't really do, you might call the film misogynist, politically incorrect even if standards have changed since 1980, or you might call it simply perverted - and all of this is true in a way, but it's also the very wrong way to see this movie.

Basically, Wife's Sexual Fantasy was never meant to be a message movie or something like that, it wasn't meant to carry universal truths or anything, this is just an individual, fictional story about individual, fictional characters. A likely story? Maybe not, but maybe there are couples with this kind of fetish out there ...

What's fascinating about Wife's Sexual Fantasy though is that it's really well-structured and well-written, so much so that it's really closer to a game of chess than your usual sex flick. And add to that a directorial effort that avoids pure sleaze without shying away from showing naked bodies or just glossing all over the sex scenes but invests just the right emotion into each single one of them, and you got yourself a pretty good movie!

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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