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Swordsman III: East is Red

Hong Kong 1992
produced by
Tsui Hark for Film Workshop, Golden Princess, Long Shong Pictures
directed by Ching Siu Tung, Raymond Lee
starring Brigitte Lin, Joey Wong (= Wang Tsu-Hsien), Yu Rongguang, Eddy Ko, Waise Lee, Fennie Yuen, Yuen King-Tan, Lau Shin, Yan Yee Kwan
screenplay by Hanson Chan, Tang Pik-Yin, Tsui Hark, based on a novel by Louis Cha, music by William Wu, Richard Yuen

Swordsman, Asia the Invincible

review by
Mike Haberfelner

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Several decades after the goings-on of Swordsman II:

All over China, cults devoted to Asia have sprung which committ atrocities in her name - so General Koo (Yu Rongguang) has set out to find the real Asia (Brigitte Lin), who now lives the life of a hermit, to put an end to all the bloodshed. Asia lets herself be persuaded and even promises Koo that she will refrain from killing ... but even when she meets the first Asia cult, she forgets her promise and turns a cult ceremony into a bloodbath. Appalled, Koo parts ways with Asia ...

Soon enough, Koo finds himself prisoner of the Sun-Moon Cult, which is led by Snow (the wonderful Joey Wong) in Asia's place, as Snow was formerly a lover of Asia who only awaits her return to hand over command of the cult. Returning asia does, but by now she is so blinded by hate that she tries to kill Snow, ony for leading the cult in her way. It's only thanks to Koo that Snow gets away, but the encounter with Asia has left both of them heavily wounded, and only with luck they can make it to general Teng's fort, where Koo gradually discovers his love for Snow, but she only longs for Asia.

Asia meanwhile makes her (bloody) way through the countryside, eventually finding new headquarters in a brothel, and eventually forming an alliance with general Chong, a dwarf in impressive armour who commands a submarine (centuries before the first submarines were actually built).

Eventually, Koo realizes the only way to beat Asia is to become just as ruthless as her, and eventually he does, killing both General Teng, for  wanting to get into Snow's panties, and his trusted sidekick Teng (Eddy Ko), for critisizing him. But he is still humane enough to send Snow away before his final confrontation with Asia.

The final battle takes place on the sea, with Koo commandeering a boat versus Asia's submarine, and it involves everything the heart of a fan of off-beat fights could desire: characters throwing ships at each other, using oversized cannons as handheld weaponry, flying to and fro using ship sails and the like.

In the end, Koo is blown up on his ship and Asia wins the fight ... but does she ? Despite her better knowledge, Snow has come to observe the fight, and was killed as a collateral damage ... which breaks Asia's heart, as she has just discovered she has human feelings after all ...

 

In style, Swordsman III is a direct continuation of Swordsman II, even if the two films share only one character and their stories are not necessarily linked. But what makes the film, rather than its (rather weak) story is its over-the-top approach to the fantasy/martial arts genre. The laws of nature (like the law of gravity) do not necessarily apply to the film's many outrageous setpieces, the many fightscenes are so off-beat they will leave your mouth agape, and crazy ideas like the wooden submarine are just the icing of the cake.

In all, Swordsman III is not a great film, but due to its out-of-this-world ideas and sequences, it's still immensely enjoyable.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
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shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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