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An interview with Lisa Jacqueline Starrett, Star of To Die Alone

by Mike Haberfelner

April 2025

Films starring Lisa Jacqueline Starrett on (re)Search my Trash

 

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Your new movie To Die Alone - in a few words, what's it about, and what can you tell us about your character in it?

 

To Die Alone is a story of survival, physically and mentally. Both characters, each with their own burdens, must lean on each other to find a way through.

My character, Irving, is facing her inner demons amidst the external dangers on the trail. She’s someone full of love and fear, and if she doesn’t learn how to balance both, they will break her.

 

What did you draw upon to bring your character to life, and how much Lisa Jacqueline Starrett can we find in Irving?

 

Haha… Irving’s story is very personal for me. I remember reading the casting, happy crying, and immediately taping an audition. For one, I live with chronic, high functioning suicidal depression. It’s just a part of who I am. I had also just left a relationship uncomfortably similar to Irving’s ex-husband, on top of struggling with deciding just how much of my true self I wanted to share with the world. In many ways, Irving’s story is my story, and countless other people’s story. I hope she gives other people the same hope, courage, and inner peace she’s given me along this path.

 

How did you get involved with the project in the first place, what drew you to it?

 

The initial casting process was actually an open call. Irving’s character resonated so deeply with me that within 30 minutes I’d already memorized and taped her monologue. One take. By the end of the day I’d finished taping the other two audition scenes and submitted. At the callback, I remember meeting co-star James Tang [James Tang interview - click here] and talking about golf, haha. In the room, I remember asking director Austin Smagalski questions about Irving’s internal battle, and something he said about her clicked with me. When we ran the scene, I couldn’t stop crying because it felt so real and so personal. I loved Irving so much, and am forever honored and overjoyed that Austin trusted her story with me.

 

Since To Die Alone is shot almost entirely on exterior locations and involves a fair share of hiking, would you at all describe yourself at all as an outdoorsy type of person?

 

Yes!! I grew up in Utah, hiking, climbing, camping, fishing, you name it. All I want to do is be outside surrounded by nature. Even in the city, I’ll go on long walks to find trees and smell flowers. Getting to film at Shasta National Forest was the best “job” imaginable.

 

What can you tell us about To Die Alone's director Austin Smagalski, and what was your collaboration like?

 

Austin is amazing. He cares about every single person on set, and you can feel that. We had several rehearsals beforehand so there was room to play with the characters and try new things, and then we used that play to hone in on the blocking and emotional arc of each scene. He listened to and enhanced each person’s strengths, directing us in a way that matched our personal acting styles. He also, and I’ll forever be thankful for this, was aware of the sensitive nature of the story and how difficult it could be for actors to be in that mental place for long periods of time. He wanted everyone to be safe, both mentally and physically, and made sure that was prioritized throughout the production.

 

Do talk about the shoot as such, and the on-set atmosphere!

 

It felt like summer camp! We even had a “camp day” on our day off, complete with matching t-shirts, cotton candy, popcorn, crafts, games, you name it. One of my favorite memories is when we were waiting out a rain storm while filming—Max, our head gaffer, rigged up a dance party in our shelter with music and disco lights. Our whole cast and crew sang and danced and laughed as the rain poured around us.

 

Any future projects you'd like to share?

 

Absolutely! Keep an eye out for I Really Love My Husband! It’s a fun, sexy comedy about as different from To Die Alone as you can get, haha. We filmed on location in Bocas del Toro, Panama and it just premiered at SXSW. If you’re a fan of White Lotus, you’re really going to like this film.

 

Another fun project coming soon is Taga, a horror film shot in the rural mountains of the Philippines. This time you’ll get to see me as the villain… who really thinks she’s the hero.

 

What got you into acting in the first place, and did you receive any formal training on the subject?

 

I grew up doing school plays. It was my joy in life. When I graduated high school, I decided to quit acting and focus on a real career. I majored in trauma psychology and computer science, all the while doing small commercial acting gigs on the side. I have had some formal acting training from quite good programs in LA, but honestly my time working in trauma psychology informed my acting style the most. I think the best acting training is living life, caring about people, learning to listen and put others first, and to just film things as often and as joyfully as possible.

 

What can you tell us about your filmwork prior to To Die Alone?

 

To Die Alone is my first lead role in a feature film. I filmed some small supporting roles in feature films, including having the absolute honor of playing Amanda in the Sundance-winning film Nine Days. Beyond that, I had a blast filming plenty of high profile music videos (a not-so-secret passion of mine), commercials, and short films.

 

How would you describe yourself as an actress, and some of your techniques to bring your character to life?

 

In front of or behind the camera, my passion is meaningful storytelling. I care deeply about doing justice to the person a character is, and all the people who will resonate with the character’s story. I always have to draw from personal experiences, because at the end of the day, I am becoming this person. I always want to know the why behind what a character is doing. It doesn’t have to be rational—so much of human emotions and actions aren’t rational—but it does have to be grounded in real thoughts and feelings. The hardest technique I’ve had to learn is to be still. On stage, you can move around and let the energy flow through you. On camera, too much movement takes away from the emotion of the moment. You have to take that natural restless energy, stab it firmly into the ground, and let it manifest in your emotions. That way the camera can capture it, and in turn, the audience can feel it.

 

Actresses (and indeed actors) who inspire you?

 

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The list goes on and on! Viola Davis, LaKeith Stanfield, Angelina Jolie, Andrew Scott, Queen Latifah, Idris Elba, Willem Dafoe, Peter Dinklage, Emma Corrin, Ian McKellen, Uzo Aduba, Ali Wong, Meryl Streep, Matt Damon, Zendaya, Elliot Page, Keira Knightley, Geoffrey Rush, Phoebe Waller-Bridge, Olivia Colman, Charlize Theron, Benedict Cumberbatch, Martin Short, Ana De Armas, Harvey Guillén, Stanley Tucci, Jodie Foster, Raven-Symoné, Ke Huy Quan, Leonardo DiCaprio. (Okay fine I’ll stop there.)

 

Your favourite movies?

 

It really runs the gamut. Inception, The Last Holiday, Avatar, Mulan (the animated one!!), Horton Hears a Who, The Big Year, Mr. and Mrs. Smith, RRR, Game Night.

 

... and of course, films you really deplore?

 

Nah I won’t touch that ;) Although anyone interested can ask me in person, haha.

 

Your website, social media, whatever else?

 

Instagram: @lisajstarrett www.instagram.com/lisajstarrett

TikTok: @redhaircarebear www.tiktok.com/@redhaircarebear

 

Anything else you're dying to mention and I have merely forgotten to ask?

 

A funny, quirky side story: I have a teddy bear named Mr. Bear. One day I decided to bring him to set for an emotionally intense scene. I thought it might be nice to have something to hold in between shot setups. It was quite effective, and what started as a one-off quickly became a fun tradition. Now, he comes to every set with me. That bear has now been to five continents and something like a dozen countries. I’ve honestly lost track at this point. My mom even bought him a “passport”. He’s been on sets with some of the biggest stars in the world, and even makes cameo appearances in the background if you look hard enough.

 

Thanks for the interview!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
Amazon!!!