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Everybody Dies by the End
USA 2022
produced by Ryan Schafer, Ian Tripp for Children of Celluloid
directed by Ian Tripp, Ryan Schafer (co)
starring Vinny Curran, Ian Tripp, Iliyana Apostolova, Joshua Wyble, Brendan Cahalan, Seton Edgerton, Bill Oberst jr, Ryan Schafer, Caroline Amiguet, Paul Fisher III, Alan Vazquez, Amber Grayson, Oscar Perez, Carl Wyble, Bob Wyble, Sam Sprague, Nathan Chapman, Anthony De La Cruz, Jason Hughes, Mickey Farhat, Kenneth Long, Luke Anthony Pensabene, Wendy Tripp, Raquel Trivino
written by Ian Tripp, music by Sam Sprague, special effects coordinator: Raquel Trivino, special makeup effects by Doris Lew
review by Mike Haberfelner
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Ten years ago, horror director Alfred Costella (Vinny Curran) destroyed
his reputation and career when he totally lost his shit on Willy Wilson's
(Bill Oberst jr) show. But over the years, he has gained a sort of cult
following, so much so that he has decided to make one last money, mostly
financed by his own money. And for this movie he has hired a skeleton
documentary crew, camguy and interviewer Calvin (Ian Tripp) and his
soundguy Mark (Joshua Wyble) to do the making-of, having chosen them
specifically as they tend to go where it hurts. At first the shoot seems
like nothing special, Costella acts like an egotistical asshole who
doesn't shy away from humiliating his actors - in one scene spraying his
leading lady Allison (Iliyana Apostolova) with actual pig's blood -, his
moderately talented leading man Theo (Seton Edgerton) proves to be the
perfect diva, Costella's PA Grant (Brendan Cahalan) proves to be
over-protective and under-critical when it comes to his boss, and leading
lady Allison's nerves are often tested to the limits and beyond - so a
pretty normal film shoot. It's only when after his death scene leading man
Theo just disappears that it dawns upon our documentarists that the
film-within-the-film's title "Everybody Dies by the End" might
be somewhat more prophetic than they could have wished for ... Frankly,
based on its title and its set-up, it's not too hard to figure out where
this movie is heading - and one certainly won't be disappointed. And yet, Everybody
Dies by the End is a wildly entertaining movie, basically because by
giving away its game it's freed from working solely towards a reveal and
instead concentrates on telling an engaging story, a story that's a blend
of showbusiness satire, character study, and of course horror, all rolled
into a mockumentary context - and thanks to a clever script, a genre
savvy-direction and a mix of relatable characters and hilarious
caricatures played by a competent cast, this has turned out to be a pretty
enjoyable genre ride.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
Tales to Chill Your Bones to -
a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
tales that will give you a chill and maybe a chuckle,
all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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